John Lewis's picture
August, 20th 2010

CooCoo invite

David Fair’s wildly fun CooCooRockinTime album, originally released in 1990, has just been reissued as a 4-CD deluxe set by Thick Syrup Records. I caught up with David to ask him about that project, the group’s upcoming show—tomorrow night!—at the Creative Alliance, and his future plans.

The King of CooCooRockinTime speaks!

How did the CooCooRockinTime project come about? At the time (1990), you were officially retired from rock and roll, right?

Yes, I was trying to be retired from rock and roll. But it was very hard for me. I wanted out, but I also loved it at the same time. It was too much fun. For a couple years I had been out of it, but every time something real fun would come up I'd join back in. Like a show would come up playing along with a band that I'd like to see. So I was faced with the choice of paying to see the band or being paid to play...

11:14 am Comments: 0 Tags: concerts, music
John Lewis's picture
August, 18th 2010

calder's circus

What piece of art changed your life? How did it affect you?

Calder's Circus is life-changing. The first time I saw the movie I was left speechless. So many elements combined to produce a liberating message. Alexander Calder was so inventive and productive but also playful. Here was a man in the movie crawling around on the floor and pretending to be a circus ringmaster. He brought motion and life to small circus figures that he had twisted from wire and constructed from scraps of wood, cork, tin and fabric. For me it was an art expander. Art had been paintings and sketches, but suddenly it was embracing a child-like innocence, and acceptance. Everything was possible. Bits of wire came to life. A circus could fit into a few suitcases. An adult could crawl on the floor. Art could pour straight from my heart and art could be whatever I created. It could be fun. It could be useful or pointless. It could be huge or tiny. With that movie the walls and...

10:21 pm Comments: 0 Tags: concerts, music
John Lewis's picture
August, 16th 2010

star island cover

I’ve never read much Carl Hiaasen—just Team Rodent, his book about “how Disney devours the world”—but his name kept popping up this summer. So I took his new book, Star Island, to the beach, and it proved to be a wickedly fun (and funny) read, despite a seemingly limp premise.

Cherry Pye—a 22-year-old singer with a fondness for tabloid-titillating exploits that would make Lindsay blush—is on the verge of self-inflicted collapse. She’s enabled by morally bankrupt parents and music biz flunkies and stalked by paparazzo Bang Abbott, who’s scheming for more than a sidewalk snapshot.

At this point, Hiaasen practically lost me because I’m not inclined to read 350 pages—satire, or otherwise—about stereotypical losers in the fast lanes (and ditches) of South Beach.

But Hiaasen writes with manic glee and a keen sense of purpose that gathers momentum as it tumbles along. And it’s all infused with biting social commentary and an indictment of a celebrity-obsessed...

12:47 pm Comments: 1 Tags: books
John Lewis's picture
August, 10th 2010

danny doughty painting1

A few months back, I posted an item about folk artist Danny Doughty's lively paintings (at Joie de Vivre in Cambridge) and noted that I was curious what he'd do next. I stopped in recently and found that Doughty is collaborating with artists Joyce Fritz Ritz and Bob Ritz to create three-dimensional sculptures of his work. The results are great fun.

doughty painting2

It's as if Doughty's paintings have, to some extent, come to life, because visitors can circle around the figures for multiple perspectives. "For me, it's like stepping through the frame into the painting," says Doughty. "It allows me to see the work in a new way, and that's exciting."

...

2:35 pm Comments: 0 Tags: painting, sculpture
John Lewis's picture
August, 9th 2010

Blue Seas logo

Q: Who designed the logo for Blue Seas Recording Studios?

A: Bob Hieronimus.

11:46 am Comments: 0 Tags: design, music
John Lewis's picture
August, 5th 2010

Here are some additional thoughts on Robert Palmer's Pressure Drop sessions at Blue Seas Recording Studios. You can check out the "Blue Seas Saga" in our current issue.

PHILL BROWN, ENGINEER ON  PRESSURE DROP ALBUM
 
On the studio [Hunt Valley]: "The 'live' room was not large but a great acoustic space and big enough for our lineup of drums, bass, percussion, two
guitars, various keyboards and a lead vocal. There were good mics and the desk was fantastic - a truly beautiful sound."
 
On the Pressure Drop sessions, "From Robert and my point of view we were all having a ball. A brilliant 'one-off' American band [Little Feat], some cool songs, Robert
singing live and singing his heart out. A wonderful studio, great food, humor, some good grass...What's not having a good time?"
 

STEVE SMITH, PRODUCER OF PRESSURE DROP
 
"Robert and I had a great time [in Baltimore] and loved it. At our hotel we met the guy that owned Head Sportswear who was...

11:01 am Comments: 0 Tags: music
John Lewis's picture
July, 27th 2010

Jim CondronWalking through Fells Point, I recently popped into the Frederick Douglass-Isaac Myers Maritime Museum and checked out Stillness in Movement, an exhibit of Jim Condron paintings. Condron specializes in large oils of nature scenes, and a few of those pieces are on display. But the real gems here are his much smaller, more evocative paintings of harbor scenes just beyond the museum's walls.

Making the most of an impressionistic style, Condron, not surprisingly, captures the landscape's natural splendor, but he also finds beauty in its industrial elements. He makes you pause and refocus on a familiar environment, which he's infused with a distinctive aura and warmth. And that moment of stillness—the flash of recognition and pensive reappraisal—is what makes Condron's work so moving and worthwhile.

The exhibition runs through August 14.

11:15 am Comments: 0 Tags: exhibition, painting
John Lewis's picture
July, 25th 2010

Dan Fesperman, an ex-foreign correspondent for The Sun, sharpens his storytelling acumen to cut through various global issues in his latest thriller, Layover in Dubai. As usual, it's set in some exotic, chaotic locale, and Dubai proves to be an ideal spot for excess, intrigue, and nefarious corporate shenanigans. Sam Keller, a big pharma auditor, accompanies a co-worker on a business trip and stumbles unwittingly into a prostitution ring run by the Russian mob. The coworker turns up dead, and, in short order, Keller becomes a wanted man, his support network crumbles, and he's set adrift in a boomtown growing faster than a time-lapse photograph. He lands in the household of a traditional family that includes (of course!) a beautiful young woman chafing at the constraints of Islamic conservatism and her strict father, a local policeman. Fesperman builds tension and contrast with various subplots that buttress the overall story, and he deftly...

8:47 am Comments: 0 Tags: books
John Lewis's picture
July, 24th 2010

Today's Whartscape features a jaw-dropping lineup of indie bands, most of them local. Starting at 4 pm, you can catch Thank You, Double Dagger, Ponytail, the Dan Deacon Ensemble, No Age, Arab on Radar, and Lightning Bolt. It's outside Current Gallery, at 421 Howard Street. Hurry! And this figures to be Whartscape's final year.

9:21 am Comments: 1 Tags: concerts
John Lewis's picture
July, 22nd 2010

Baltimore native Natalie Standiford, author of How to Say Goodbye in Robot, signed books for fans this evening at Delaware's Bethany Beach Books. Robot is the best non-wizard kids book to come down the pike in quite some time. My 12-year-old daughter, a voracious reader, considers it one of her favorite books, and I'm a fan, too. Standiford told me her next book, Confessions of the Sullivan Sisters—due out in September—is "nothing like Robot." No matter—we eagerly await its release.

7:13 pm Comments: 0 Tags: books