The movie starlet and former Lungfish singer have had albums produced by TV on the Radio's Dave Sitek, and, as of today, they're both signed to Sitek's Federal Prism record label. They're part of an impressive roster of 15 goups that includes TVOTR and Sitek's Maximum Balloon side project, along with Kelis, Priscilla Ahn, and Stardeath and the White Dwarves.
Tonight, all-star band Palookaville—guitarist/singer Howard Markman, keyboardist Glen Workman, bassist Chas Marsh, and drummer Jim Hannah—bring their infectious roots rock to 1919 Fleet, the best neighborhood bar in Fells Point. While you're there, check out the amazing photos on the walls! Drummer Ches Smith plays the Windup Space with a band that includes Tim Berne and Andrea Parkins. Stay for the late night jam featuring saxophonist John Dierker, trumpeter Dave Ballou, and guests. Global Perspectives, an exhibition featuring pottery from Africa and Asia (see above) alongside work by Refugee Youth Project teens, opens at Baltimore Clayworks and runs through April 13.
Tomorrow, the amazing violinist Nadja Salerno-Sonnenberg, pianist Anne-Marie McDermott, and the Grammy-winning Parker Quartet perform at the...
What piece of art changed your life? How did it affect you?
The first time I heard John Prine sing “Sam Stone” I knew that something inside me'd shifted. I knew I'd heard something that altered the world as i knew it. John's unique voice, his writer’s voice, cracked me open to see the possibilities that existed when you combine country music and folk music. For me, it was life changing, and deal changing. The love of humanity in that song, the love he breathed into those four-and-a-half minutes for that veteran/junkie, is breathtaking. Every time I sit down to write a song, I try to write one as good as “Sam Stone.”
It made me cry, it made me feel, it made me see how war can destroy the soul, the family, and the nation. It opened my mind to the way a story song works, and the power of a story song. "There's a hole in daddy's arm, where all the money goes, Jesus Christ died for nothing I suppose" might be the saddest and truest lines ever written. They are as big as a novel, a movie.... a peace movement. I saw the...
With the hiring of Julia Marciari-Alexander, it turns out the Walters wasn’t looking for the next Gary Vikan—it was looking for the next Kwame Kwei-Armah, or maybe the next Marin Alsop. Rather than hiring a director with experience running the entire organization, the Walters board selected a community-minded up-and-comer with innovative ideas and a penchant for generating excitement, with no preconceived notions of how the job should be done. Sound familiar?
It should, because the BSO and Center Stage took a similar approach to hiring at times when, institutionally, the stakes were high. Under previous leadership, those organizations had reputations for being insular and, at some level, out-of-touch with the city. Sure, they had community outreach programs, but when the director is averse to socializing with the locals and auditions all her actors in New York (like Irene Lewis), or when your top guy doesn’t speak English very well and comes off like a 19th-century...
Julia Mariciari-Alexander has been named executive director of the Walters. She's currently deputy director for curatorial affairs at the San Diego Museum of Art, and she was previously associate director for exhibitions and publications at the Yale Center for British Art. Mariciari-Alexander replaces Gary Vikan, effective April 1st.
Using elements from MICA's extensive Globe Poster collection, Bob Cicero and Mary Mashburn designed this fantastic poster for what figures to be an amazing afternoon/night of music at the 9:30 Club next Sunday. Hosted by Henry Rollins, the show features legendary DC bands like Trouble Funk, Junk Yard, Scream, and Black Market Baby and coincides with an exhibition at the Corcoran, Pump Me Up. Curated by Roger Gastman, the exhibit examines D.C. subcultures of the 1980s and focuses on the graffiti, go-go, and punk scenes. Because Globe was a ubiquitous presence hyping go-go shows during that period, the poster company is well represented in the show, which opens next Saturday, February 23rd.
Laura Lippman's novel, Every Secret Thing, is being made into a movie. Directed by Amy Berg (West of Memphis), it stars Dakota Fanning, Diane Lane, and Elizabeth Banks. According to indiewire.com, production begins next Month.
What piece of art changed your life? How did it affect you?
The music of Charlie Parker changed my life. I was first introduced to Charlie Parker's music through a good friend of mine, Warren Wolf. He gave me a tape that included songs like "Confirmation," "Ornithology," "Now's The Time," "Donna Lee," and many other classics. I was in high school at the time, and this music really helped to develop my skills as an improviser, saxophonist, and as an over-all musician. I got so much from transcribing these solos, and there's so much that I'm still getting from his solos to this day. Charlie Parker's music and the Omnibook, which is a book of his written out solos, is what I call the bible for any alto saxophonist who's looking to play jazz. I'm grateful to my friend, Warren, as well as my teacher, David Stambler, for introducing me to the genius of Charlie Parker.
A second Jon Stewart show (10 pm) has been added for March 1st at the Meyerhoff. Tickets are now on sale through Live Nation and Ticketmaster. Get 'em while you can.