John Lewis's picture
April, 11th 2013

Appalachian Spring at School for the Arts

Baltimore magazine

On a recent afternoon, Baltimore School for the Arts [BSA] director Chris Ford walks the halls pointing out student work related to this week’s Appalachian Spring Festival. The BSA is the first high school given permission by the Martha Graham Center to produce the classic ballet, and they’ve used the opportunity to foster a variety of cross-disciplinary collaborations. There’s evocative and sculptural artwork, storyboards for an animation project, stereo equipment playing a remix of Aaron Copland’s score, and panels of text about American multiculturalism. Ford also notes that a group of students has been researching Appalachian Spring at the Library of Congress, where Graham debuted the piece in 1944. 

“This is the first project to engage so many students from across the school,” says Ford, who’s led BSA for the past two years. “It was a goal of mine to have a piece that involves everybody and crosses disciplines, because, nowadays, artists work across disciplines. And the important aspect of all this is the collaborative nature of it. It pushes us forward using the people who should be pushing us forward—the kids.”

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John Lewis's picture
April, 7th 2013

Pump Me Up Closes, Mumbo Sauce Opens

Baltimore magazine

Roger Gastman's Pump Me Up: DC Subculture of the 1980s winds up a successful run at the Corcoran this weekend, as Mumbo Sauce, another Gastman show, opens at DC's Contemporary Wing. Both exhibitions highlight DC's go-go, punk, and graffiti scenes and include plenty of work from Globe, the legendary Baltimore printing firm that closed in 2011 and was resurrected at MICA last year. Globe pretty much defined the visual aesthetic of go-go music, and I penned an essay about the company and its work for the Pump Me Up catalogue. Although the Corcoran show closes today, you can check out Mumbo Sauce until the 21st. And if you haven't seen Gastman's Cool Disco Dan film—ostensibly about the legendary graffiti writer, it's actually an engaging look at the vitality of underground art scenes and cultures—keep your eyes peeled for a screening or DVD release date.   

John Lewis's picture
April, 5th 2013

Kid Steals Show at Last Night's Green Day Concert

Baltimore magazine

It isn't easy to upstage Billie Joe Armstrong, but a kid plucked from the audience did exactly that at the Patriot Center last night. Green Day was playing "Longview" about two-thirds of the way through the set, when Armstrong asked if anybody wanted to come up and sing the third verse. He spotted a kid in the crowd, asked him repeatedly if he really knew the lyrics, and told him to "get your ass up here." The kid took the mic and proceeded to belt out the rest of the song, much to be band's delight. The crowd went nuts. And when it was over, Armstrong gave the kid a guitar and thanked him for "what was pretty much the most memorable moment in my entire life."

John Lewis's picture
April, 3rd 2013

Craig Alston, Jazz Hero

Baltimore magazine

The Jazz Journalists Association has named Baltimore's Craig Alston as one of its 2013 "Jazz Heroes," JJA cited Alston and 25 other "activists, advocates, altruists, and aiders and abettors of jazz" for making "significant impact in their local communities." Besides his work with the likes of Fertile Ground and Larry Willis, JJA lauded Alston for his education efforts and noted that he's been music director at Maryland Summer Center, instructor at Carl Grubbs's SAX summer camp, and clarinet/saxophone teacher with OrchKids. Of his work as an educator, Alston says "[he] can lead by example. Some kids learn and respect you more if you can show them rather than tell them." Alston adds that he'd eventually like to open a Baltimore Jazz School.  

John Lewis's picture
April, 1st 2013

Life-Changing Art: Rudresh Mahanthappa

Rudresh Mahanthappa


What piece of art changed your life? How did it affect you?

The pivotal moment for me musically was an all-night concert just outside of
Bangalore in 1994.  I was in India performing at the Jazz Yatra Festival
with a student band assembled by Berklee College of Music.  At the time (at
the age of 22), I was very confused about my hybrid identity as an
Indian-American and even more confused as to how to address and engage my
ancestry through music.  This single concert changed my life.  I felt an
unparalleled connection with the music and a bond of cultural ownership.  I
realized that I could truly connect with this music and incorporate its
concepts into my larger perspective of jazz as a global art form, an
expression of contemporary multicultural landscapes.  I later learned that
the artists I saw that night were some of the true greats of Hindustani and
Carnatic music including Parween Sultana, Chitti Babu, and Vikku Vinayakram....

John Lewis's picture
March, 29th 2013

Celebration: New Song, New Sound

Baltimore magazine

I've long been a fan of Celebration's, and news that they're recording new material is cause for... celebration. Once again, the band is posting songs on the Electric Tarot website as they go along, and the latest, "I Got Sol," (MP3) is particularly startling. According to singer Katrina Ford, it's the most "rock" song they've ever done, and I'd say they do it incredibly well. Give it a listen and check out tonight's show at the Ottobar, Celebration's final hometown gig before playing the All Tomorrow's Parties festival (curated by TV on the Radio!) and touring Europe in May.

John Lewis's picture
March, 22nd 2013

Tubman Gets National Monument, Finally

Baltimore magazine

President Obama will officially designate a national monument dedicated to Harriet Tubman on the Eastern Shore. Obama, according to a Sun report, will sign a proclamation on Monday that, after years of false starts and political wrangling, will finally make the Tubman monument official. You might recall that Rep. Andy Harris submitted legislation for a Tubman monument last year, legislation that did not include any funding for the project. Hmm. Instead of dwelling on that, the legions of Tubman admirers can now look forward to a park and monument adjacent to Blackwater Wildlife Refuge in Dorchester County. The timing is right, considering that Tubman passed away 100 years ago this month. You can read about art and music she's inspired ("Muse of Her People") in our current issue.

John Lewis's picture
March, 21st 2013

Film Legend Albert Maysles at Annapolis Film Fest Saturday

Baltimore magazine

Legendary filmmaker Albert Maysles will appear at the Annapolis Film Festival this Saturday. Maysles—who produced classic documentaries such as 1968's Salesman and 1976's Grey Gardens with his brother, David (who died in 1987)—will discuss his work after a screening of the Rolling Stones doc Gimme Shelter. The film begins at 2:15 pm at St. John's College Key Auditorium. One of my favorite moments in the movie shows Keith Richards and Jim Dickinson sitting side by side listening to the playback of "Wild Horses." It's intimate and revelatory, like many Maysles films.

John Lewis's picture
March, 21st 2013

Arts Council Grants Announced

Baltimore magazine

The Maryland State Arts Council has announced its individual artist grant recipients for 2013. The grants, ranging from $1000 to $6000, were awarded for fiction, media/digital/electronic arts, painting, works on paper, and solo theatrical performance. You can check out the complete list of recipients here.

John Lewis's picture
March, 20th 2013

Life-Changing Art: Glenn Mercer (The Feelies)

Baltimore magazine


What piece of art changed your life? How did it affect you?

Seeing The Beatles on The Ed Sullivan Show had a big impact on me. I remember making a cardboard "guitar" shortly after that, and soon convinced my parents to get me a real instrument. Gradually, I taught myself to play well enough to join a band, and I've been playing in bands almost continually since then.

Pioneering indie rockers The Feelies released a string of sublime records in the 1980s (1988's Only Life is a personal favorite) before going on hiatus for 20 years. The band (with original lineup, including guitarists Glenn Mercer and Bill Million, intact) resurfaced in 2011 and released the appropriately-titled Here Before, which embraced the group's legacy and...