
I was just saying to a colleague that we need to stop blogging so much about The Wire. Don't get me wrong, I lurve The Wire. I watched its entire five-season run in about a week a few years ago and then wouldn't shut up about it for about a month afterwards. But, it has been off the air for four years now, maybe its time we move on?
But that becomes difficult when the show's reputation keeps growing and more and more people keep discovering the Dickensian detail David Simon and his cohorts brought to the show's portrait of Baltimore.
Ironically, the show was never very popular when it was on, but since it ended it's received a steady stream of high-profile notices in the press. The latest comes courtesy of none other than President Obama, who told ESPN's Bill Simmons this week that Omar Little—the gay, shotgun-weilding, ghetto rogue played by Michael K. Williams—has "got to be" the show's best character.
If you've seen the show, it's hard to argue with that assessment. As my coworker, Jess Blumberg, has said: "...







Friday night, while you were watching the
You may not know his name, or be able to pick him out of a lineup, but you've certainly seen his work. As leader of the Baltimore Development Corporation (BDC), the public-private agency charged with steering development in the city, M.J. "Jay" Brodie has had as much to do with creating the Baltimore we know and love as William Donald Schaefer and David Cordish—and now he's retiring.


Esquire magazine ranks Baltimore as No. 25 on its list of “79 Things We Can All Agree On.” Nice. But, wait, what does that really mean?
Last June, we
The building, constructed in 1911, had turns as a vaudeville and Yiddish theater, a movie theater, and a parking garage before being left vacant for the last 20 years. The front facade (first picture), including iron detail and an "E" at the top (fortuitous for the Everyman) from its original incarnation as the Empire Theater, has been painstakingly restored.
