December, 23rd 2010

Top 10 of 2010

 

Here’s my list of the 10 best films that I saw in 2010, with 10 more runners-up.

1. Social Network- Some complained that the movie wasn’t really about Facebook. But it was actually about something bigger than that: the shift from a social elite—where the privileged Winklevoss brothers of this world would hire and discard its geeky Mark Zuckerbergs—to the true meritocracy of the digital age. The smug, awkward, voluble Zuckerberg (brilliantly inhabited by Jesse Eisenberg) wasn’t the most likeable of heroes, but he was a hero of our times. He made Facebook because he could—and because he was smarter than everyone else around him. The same could be said for this incredible film.

 

2. The Kids Are All Right- Lisa Cholodenko’s smartly observed, wryly funny, and loveably lived-in portrait of a lesbian couple (Julianne Moore and Annette Bening) disrupted by the unexpected appearance of their children’s’ sperm donor (Mark Ruffalo) features some of the best ensemble acting of the year.

 

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12:27 pm Comment Count Tags: film reviews
December, 16th 2010

Black Swan

 

Black Swan, Darren Aronofsky’s breathless fever dream about the world of ballet, is equal parts brilliant and ridiculous. And because it’s been short-listed for Oscar and has received near unanimous critical raves, I'm going to go ahead and focus on the ridiculous part first.

I mean, has anyone else noticed that this film, while compulsively entertaining and formally beautiful, is also about as subtle as a clog dance?

Nina Sayers (Natalie Portman) is a soloist with an unnamed ballet company, modeled after the New York City Ballet. The company’s director, the Balanchine-esque Leroy (Vincent Cassel) is casting a new version of Swan Lake. You see, the former prima ballerina Beth (Winona Ryder) has been put out to pasture and Leroy wants a new star.

The uptight, sheltered Nina would be perfect as the White Swan—the virginal half of the Swan Lake equation. But Leroy fears she’s not sexy or uninhibited enough to play the White Swan’s dark, libidinous other half, the Black Swan.

He casts her...

9:46 pm Comment Count Tags: film reviews
December, 16th 2010

TRON: Legacy

I just read on Wikipedia (so it must be true!) that TRON—the 1982 sci-fi flick about a computer engineer (Jeff Bridges) who enters his own video game—was inspired by the Atari game Pong. But of course, Pong has about as much to do with today’s video games as a Model T has to do with today’s cars. (If you watch the trailer for the original TRON on YouTube, they treat computers like some sort of ominous futuristic threat to humanity—which, okay, proved accurate, but still).

Yes, this sequel somewhat updates the original’s wide-eyed view of the digital world, but it’s still working with an outmoded mainframe, if you know what I mean.

In TRON: Legacy, Kevin Flynn (played by both an eerie, computer-simulated young Jeff Bridges and the wily old actor himself) has been missing for 20 years. His rebel son Sam (dishy but dull Garrett Hedlund) wanders into the cob-webby arcade where Flynn used to work and gets sucked through a portal into the grid. There, he discovers a world of avatar-like “programs” who engage in old-fashioned video-game-style battles for survival....

9:40 pm Comment Count Tags: film reviews
December, 10th 2010

The Tourist

 

The Tourist is meant to be a romantic international thriller. Unfortunately, the film is neither romantic nor thrilling—but, on the bright side, Venice looks stunning!

This has to qualify as one of the biggest disappointments of the year. It stars two of my favorite actors (hell, two of everyone’s favorite actors): Angelina Jolie and Johnny Depp.

Even the premise sounds intriguing: A mysterious woman (Jolie) being shadowed by both Interpol and the Russian mafia, sidles up to a vacationing school teacher (Depp), hoping he’ll be mistaken for her international outlaw beau.

What follows should be intriguing, sexy, and can’t-catch-your-breath exciting. Instead, it’s leaden, lumpy, and dull.

Part of the problem is the lack of chemistry between the two leads. At first, Jolie’s Elise is supposed to see Depp’s Frank as an easy mark. Eventually, though, she’s supposed to fall for him. But there is no heat between these two actors whatsoever. Yes, I understand that Depp is intentionally...

1:18 pm Comment Count Tags: film reviews
November, 30th 2010

Burlesque

 

Burlesque can’t decide if it wants to be a serious musical, a la Chicago, or a piece of guilty-pleasure trash, a la Showgirls. As such,  it’s stuck in the middle—too cheesy to be good art and not nearly fabulous enough to be good camp. It needed, frankly, more catfights, more glitter, more transvestites! Instead, it’s an earnest story of small-town girl Ali (Christina Aguilera) who lands a waitress job at a burlesque club in Los Angeles, with dreams of being a star. Cher plays the tough (yet tender) owner of the club, who resists Ali at first, but eventually sees that the kid’s got moxie to burn!

Stanley Tucci is on hand, natch, playing Cher’s loyal gay sidekick. And for reasons unknown, Alan Cumming is also in the film, albeit briefly, playing the coat check boy (or somethin’). (My theory: They got their big-get Tucci after they had already cast Cumming and didn’t have the heart to tell him he was no longer in the film.)

Kristen Bell plays a rival performer, but they don’t even bother to make her that nasty. She’s more of a misunderstood bad girl...

2:54 pm Comment Count Tags: film reviews
November, 25th 2010

Love and Other Drugs

 

Love and Other Drugs gives chick flicks a good name. It follows one of the standard tropes: callow male (Jake Gyllenhaal) saved by the love of a good woman (Anne Hathaway). He’s a womanizing pharmaceutical rep; she’s a free-spirited bohemian. And—don’t cringe—she’s sick, with the early stages of Parkinson’s Disease, all the better to make him really man up. It’s Love Story in a breezy, rom-com package.

Sounds horrible, right? And yet. . .Love and Other Drugs manages to work, partly because of the near-supernatural charm of its two leads, partly because the script has a genuinely intriguing subplot about the war between Prozac and Zoloft (which became a moot point when Pfizer, the company that makes Zoloft, invented Viagra), and largely because the film is, well, sexy as hell.

Sometimes when I review a movie it’s as simple as this: I enjoyed the heck out of Love and Other Drugs and I think you will, too. Upon reflection, does Jake Gyllenhaal’s Jamie really need a slovenly brother to provide cheap, frat-ish jokes? No. Does the film really need to take a...

11:40 am Comment Count Tags: film reviews
November, 21st 2010

127 Hours

 

There’s been a lot of talk about the scene in 127 Hours where hiker Aron Ralston (James Franco) cuts off his own arm. Some people reportedly passed out at screenings. Others were only able to look at the carnage through clenched fingers. Still others so dreaded the scene, they chose to avoid the film altogether.

What people don’t tell you is that, at that point in the movie, you’re absolutely dying for Aron to cut off his arm. It’s basically either arm evisceration or death. And while the scene is grisly and, yes, hard to watch, it’s also a cause for celebration. In my own mind I was thinking, “Do it! Do it!” as poor Aron dug the (dull) knife into his flesh.

I imagine that director Danny Boyle (Slumdog Millionaire) never considered not showing Aron do the unthinkable deed. In fact, I’d venture to guess that the whole reason he chose to make the film was because of that scene.

After all, we’d all heard the true story of the hiker who fell into the canyon with his arm pinned under an intractable...

8:25 pm Comment Count Tags: film reviews
November, 15th 2010

But where's his boom box?

Here's the first pic of John Cusack, playing some sort of action star version of Edgar Allan Poe in director James McTeigue's The Raven.

I'm kind of feeling it. You?

 

 

6:41 pm Comment Count Tags: general film
November, 12th 2010

Morning Glory

 

If nothing else, Morning Glory has an A-list feel. It has an A-list cast: Harrison Ford, Diane Keaton, and Rachel McAdams. It has an A-list release date: right before the holidays. And its premise—plucky young producer (McAdams) tries to get a semi-retired newsman (Harrison) to do happy talk on the morning news— is reminiscent of the decidedly A-List Broadcast News.

But Morning Glory is not an A-list film. It barely makes it onto the B-list.

So what’s the problem? Let’s start with a script that seems to have been buried in a vault for 20 years. Not only is this a film about TV that makes no mention of Hulu, Facebook, or TiVo (there is one token reference to YouTube), but at one point, the low-rated morning show is threatened to be cancelled in favor of—wait for it—game shows and soap operas. (The only thing more endangered than low-rated morning talk shows? Game shows and soap operas.)

The other problem is the film’s aggressive cutesiness. McAdams, who is undeniably adorable, is playing that stock chick-...

2:59 pm Comment Count Tags: film reviews
November, 10th 2010

What’s Up With Edward Norton?

 

Last year, I wrote a small piece about Mo’Nique’s big Oscar win for Precious and I marveled over the fact that she had won an Oscar before Edward Norton. As great as Mo’Nique was in that film (and I’ve gushed repeatedly), no one could’ve seen that coming.

“Don’t worry, Edward,” I wrote. “I’m sure you’ll be getting one of the gold guys soon enough.”

On second thought, maybe I’m not so sure.

When Norton first stormed onto the scene with Primal Fear, it was more than just a great performance, it was a calling card, a young actor showing off his incredible bag of tricks. He played a con-man (it wouldn’t be the last time)—a teenage sociopath who deceived a gullible attorney into thinking he was a stuttering innocent, when,  in fact, he was a calculating killer. There’s a great moment—the big reveal—when Norton’s sweet slack face curls into a malevolent grin. It’s chilling.

Norton was nominated for Best Supporting Actor for that film, and although he didn’t win, a major actor had...

12:42 pm Comment Count Tags: general film