August, 27th 2009

Taking Woodstock

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It takes a lot of chutzpah to do a film about the most famous concert ever and have the action go near Woodstock, along the outskirts of Woodstock, behind the scenes at Woodstock, but never show us the concert itself. It could lead to a vague sense that there’s a better movie to be seen, off screen.

And to a certain extent, I admire Ang Lee for doing it (I'm actually a huge Lee fan and even liked his much-maligned Lust, Caution). After all, the Woodstock story has been told many times before. However, the story of the small innkeepers in the Catskills who unwittingly become the host to half a million hippie guests? Now that story has not been told.

And Lee almost pulls it off.

As the film starts, we meet the dutiful son, Elliot Teichberg (newcomer Demetri Martin) and his crotchety innkeeper parents, Jake (Henry Goodman) and Sonya (Imelda Staunton). The Teichberg’s have owned their hotel for years now, and it has fallen into disrepair—Sonya barks at the customers and rations...

3:16 pm Comment Count Tags: film reviews
August, 22nd 2009

Inglourious Basterds

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If you were to take the mind of an adolescent male and somehow fuse it with that of a sophisticated film auteur, you would end up with Quentin Tarantino. (Beavis meets Bergman, I guess you could say.)

Indeed, on its most basic level, Inglourious Basterds advances a simplistic premise: Killing Nazis is cool! And killing lots of Nazis in lots of different ways is even cooler.

No argument here. But amid all the killing, Tarantino takes time to have scenes that are breathtakingly beautiful, suspenseful, audacious, hilarious, and, yes, even reverent to the filmmakers who have preceded him (the old cinephile video store employee in Tarantino still lives on).

He tells his story in chapters. In chapter one, we meet a French dairy farmer who is harboring a family of Jews in his floorboards. Into his home comes Col. Hans Landa (Christoph Walz, deliciously sadistic), nicknamed “The Jew Hunter.” (He pretends to be offended by the handle, but secretly loves it.) What follows is a masterful pas de deux, where the unctuous Landa toys with the poor...

12:01 pm Comment Count Tags: film reviews
August, 14th 2009

Bandslam

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Bandslam is better than it has any right to be. After all, its premise is strictly out of the Disney playbook: Geeky teen loner becomes the manager of a band, and finds himself torn between two girls, the band’s (gorgeous) rebellious lead singer and the (equally gorgeous) bookish outsider he’s partnered with in his human studies class.

And yet . . . I sensed something was up with Bandslam right out of the gate, when our hero Will (Gaelen Connell) wrote a letter to David Bowie. (Had his letter been to Nickelback, I would've known I was in for a long night.) Turns out, Will has been writing letters to Bowie for a while now, undeterred by the fact that Bowie never writes back.

My second clue that Bandslam had a few tricks up its sleeve was when I saw that Lisa Kudrow was cast as Will’s mother. You simply don’t hire an actress as wonderfully offbeat and vivid as Kudrow unless you’ve got a good reason. And Kudrow gets to do some fine work as the protective mother—yes, she smothers a bit, but we...

11:12 am Comment Count Tags: film reviews
August, 13th 2009

The Time Traveler's Wife

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Even though I haven’t actually read The Time Traveler’s Wife, I can definitively say this: The book is better than the movie.

How do I know this? Because Audrey Niffenegger’s novel inspired a devoted following. The film is about as inspiring as an AT&T commercial.

Clearly, in telling this story of a little girl named Clare (played as an adult by Rachel McAdams) who meets a time-traveling man named Henry (Eric Bana) and loves him from then on, the filmmakers were going for gushy, swoonyGhost-style romance. But something is missing. There’s the inherent flaw in the film’s structure: Henry’s disappearing act (his time traveling stints come on like seizures; he can’t control them) is more frustrating than tragic; and his romance with Clare is never allowed to blossom on screen—the moment we begin to see some chemistry or connection between them—poof!—he’s gone.

Some blame has to lie in the performances. Both Eric Bana and Rachel McAdams are fine actors, and easy on the eyes, but they share a similar limitation: They need...

1:39 pm Comment Count Tags: film reviews
August, 12th 2009

District 9

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We like to think that if a spaceship filled with aliens arrived on earth, it would be a chance for enlightenment, a moment of grace.
More likely, the scenario envisioned in the ingenious District 9 would come to pass. And it ain’t pretty.

It’s 1984 in Johannesburg and a space ship has hovered over the city and stalled. On board are aliens—almost a million of them, scared and hungry—who are rounded up into a ghetto-like area (District 9), where they’re monitored by a paramilitary group, the MNU. (The MNU is particularly interested in the alien's sophisticated weaponry, which can only be fired by those with alien DNA.)

The public’s initial curiosity about the aliens, nicknamed “Prawns” because of their resemblance to the shell fish, eventually turns to suspicion, revulsion, and cries of “send the Prawns home.” Nigerian gangsters have descended upon District 9 to search for weapons and provide black market cat food (an alien favorite) and interspecies prostitution.

Now, 20 years have passed and the residents of Johannesburg want the Prawns out...

4:15 pm Comment Count Tags: film reviews
August, 6th 2009

R.I.P. John Hughes

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"Life moves pretty fast. You don't stop and look around once in a while, you could miss it."-Ferris Bueller. 

Is it possible that all of us—we children of the 80s—took John Hughes for granted? His films were always just kind of there—with characters we could relate to (or aspire to be), with music that became the soundtracks of our summers, with clothing that was like cooler versions of our own wardrobes, and with such incredible empathy and respect for the teenage experience, it seemed as if we had made the films ourselves.

I mean, I just sort of assumed that every generation would have its own John Hughes, you know? Every generation would have its seminal director, the guy (or gal) who perfectly captured the zeitgeist—okay, perhaps a sunnier, glossier, more sanitized version of the zeitgeist—of teen life in America.

Instead, here's what we’ve had since John Hughes: a bunch of John Hughes wannabes. It seems like every film geared toward a teen audience since Hughes has made a nod, consciously or...

9:24 pm Comment Count Tags: general film
August, 6th 2009

Julie & Julia

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When I heard that Meryl Streep had been cast as Julia Child in Nora Ephron’s new biopic, Julie & Julia, I put my grouchy pants on. Fine-featured, delicate Streep as Amazonian, earthy Julia? Sacre bleu!

Well, score one for Meryl.

Streep is absolutely winning in this part, which chronicles Julia’s move to France in 1949 and her two greatest love affairs: with French cuisine and with her loyal, doting husband Paul (Stanley Tucci, who after The Devil Wears Prada is becoming Streep’s true partner in charm.) She gets the trilling voice right, the towering stature, and the sensual pleasure Julia took in food. What’s more, she captures the great chef’s joie de vivre. There’s a buoyancy to Streep’s performance that is completely irresistible.

That’s the Julia part of our story. The Julie part focuses on a modern-day low-level bureaucrat (Amy Adams), who is feeling unfulfilled in her life. She and her very own doting husband (Chris Messina) cook up a madcap idea: She will recreate every recipe in Julia Child’s Mastering the Art...

2:14 pm Comment Count Tags: film reviews
August, 4th 2009

The Blind Side trailer!

The first trailer for The Blind Side, the Sandra Bullock movie about the life of Ravens first round draft pick Michael Oher, is out. Looks tear jerky!

4:29 pm Comment Count Tags: general film
July, 29th 2009

Funny People

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Adam Sandler for Best Actor? No joke, I think the guy deserves serious consideration for his complex, nuanced, and fearless work in Judd Apatow’s Funny People.

He plays George Simmons, a comedian who rose from small nightclub standup to global success by making the kind of low-brow films where he plays a Merman or a man-baby in diapers. (It’s tempting to say that George is an alternate universe version of Sandler—Sandler without the humanizing influence of his wife and kids. But that’s part of what makes Sandler's performance so fearless—people will inevitably compare him to George, who’s pretty much a dick.)

George is a self-loathing narcissist (they seem to specialize in that particular oxymoron in Hollywood), who lives alone in a giant mansion, beds a series of faceless groupies, and waits for his next script to roll in. George’s hedonistic, unexamined life gets a jolt when he is diagnosed with a rare form of leukemia. He’s past the point where chemo or radiation can do him any good, so doctors start him on a radical drug treatment. Mostly,...

3:42 pm Comment Count Tags: film reviews
July, 28th 2009

Where have you gone, Dennis Quaid?

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Just saw the preview for the upcoming G.I. Joe and I was struck by one thing. No, not the epic awfulness of the trailer—I’m a film critic, I don’t pre-judge (ahem). But this: What the hell has happened to Dennis Quaid?
In my day, Dennis Quaid was sex on legs— the randiest, cockiest, most irresistible cad in cinema. It wasn’t just his six-pack abs and chiseled face that made him catnip for women—it was the fact that he knew he was bad and that you still couldn’t resist him. All of this bad boy charisma peaked in 1986’s The Big Easy where he played a casually corrupt New Orleans cop who seduces an uptight prosecutor played by Ellen Barkin (herself no slouch in the sex appeal department). But there were other parts that relied on his do-me grin and cocksure charm: Postcards from the Edge, Something to Talk About, Innerspace, Wyatt Earp, and Suspect, just to name a few.
But lately, all Quaid seems to play are uptight generals (as in GI Joe and Yours Mine and Ours), secret service...

1:52 pm Comment Count Tags: general film