May, 22nd 2009

Terminator Salvation

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For a film that is supposed to be concerned with the state of humanity, Terminator Salvation lacks a beating heart. Things 'splode real good, and giant robot Terminators the size of Transformers (coming soon to a theater near you!) stomp around with authority (before 'sploding). But if you’re looking for character development, dialogue that does anything but advance the plot, or relationships of any consequence, you’ve come to the wrong place.
I understand why hack director McG (Charlie’s Angels: Full Throttle) would take a stab at reviving this moribund franchise—he’s looking for his Dark Knight—but what on earth is in it for Christian Bale (who was actually in Dark Knight)?
Bale doesn’t even play the most interesting character in this film: That would be Marcus Wright (Australian newcomer  Sam Worthington), the cyborg prototype, trying to cling to his humanity. Worthington makes an impression—he’s handsome and soulfully badass. (What is it with those Australian men?). Apparently,...

3:20 pm Comment Count Tags: film reviews
May, 15th 2009

Angels & Demons

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You think they would’ve learned their lesson. For all of the book’s massive success, The Da Vinci Code movie managed to be both over-wrought and boring. So what made Ron Howard, Tom Hanks and co. think they could do any better with Dan Brown’s less beloved Angels & Demons?The problems are roughly the same: Hanks’ character, symbologist Robert Langdon, is a dud. He is defined by three things: Improbable bravery (for a symbologist), expert knowledge of religious iconography, and a skepticism about religion in general. He’s not really a character, he’s a cipher: But lead characters in movies need distinguishing personalities: Brown (and now Ron Howard) can’t even be bothered to give Langdon a nervous tic, a bad habit, hell, a fondness for show tunes.Also, books can be filled with an air of academic authority that allow us to buy even the more far-fetched aspects of the plot. But when a book is reduced to all plot, we tend to pick up on how silly it really is.Last time we saw Langdon, he was getting to the bottom of no...

9:35 am Comment Count Tags: film reviews
May, 8th 2009

Next Day Air

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You have to be good—Tarantino good—to pull off a hyper violent movie where none of the characters are likeable and the humor derives from the depths of their incompetence and stupidity.
Benny Boom, the director of Next Day Air, is not that good.
His movie focuses on Leo (Donald Faison),  a stoner express mail carrier who inadvertently delivers a package containing 12 kilos of cocaine to a pair of bumbling low-rent criminals (actually, there’s three low-rent criminals; but the third sleeps through the whole ordeal.) The criminals—played by the fitfully amusing Mike Epps and Wood Harris—think they’ve hit the jackpot, and immediately try to sell the stuff to Epps’ drug dealing cousin (sexy Omari Hardwick, the closest thing the movie has to a hero). Of course, the kingpin who sent the coke will be coming after them, joined by the hen-pecked middle man (Cisco Reyes) who was supposed to receive the package, and Leo, who is blissfully unaware of his mistake (or anything else for that matter). Mos Def briefly appears as a larcenous Next Day Air employee—he has...

2:32 pm Comment Count Tags: film reviews
May, 7th 2009

Star Trek

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I know what you’re thinking: Another Star Trek movie? Is this truly necessary after the cult TV show, the four spin-offs, the several (mostly bad) movies, and even the Trekkie subculture beginning to die-off? (The new generation of out and proud geeks now gravitate to the ComicCon festival—same crowd, different handshake.)
But guess what? The ol’ Enterprise still has lift-off, especially when in the hands of director J.J. Abrams (Lost), who brings an obvious reverence for the source material (read: he seems seriously geeked over the show), coupled with a TV guy’s understanding of character development, and a proven ability to steer a somewhat rusty franchise in the right direction (Mission Impossible III.)
This one is a prequel (they could’ve called it Star Trek: Origins, but X-Men got their first), so, obviously, casting was essential. Chris Pine oozes maverick cool as young Captain Kirk; Zachary Quinto is the logical but heartbreaking Spock, and all the other characters—from Simon Pegg’s...

3:22 pm Comment Count Tags: film reviews
May, 4th 2009

Viva la Maryland Film Festival!

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It kicks off May 7. I was able to get a sneak peak of three films playing the festival. (Check out the festival's complete schedule here.)

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Rocaterrania

Brett Ingram’s documentary profile of visionary artist, raconteur, clothing designer, scientific illustrator, packrat, bath enthusiast, conservationist, and fantasist Renaldo Kuhler is sure to be a fan favorite. Through elaborate illustrations and notes, Renaldo has created an alternate land called Rocaterrania. At first, it’s almost impossible to perceive how detailed this world is. But as the film goes on, we discover that Rocaterrania has its own language and customs, various leaders and coups, wars, prisons, museums, houses of worship, even a small film industry. The history of Rocaterrania loosely parallels the events in Kuhler’s own lonely life (he was raised on a ranch...

1:32 pm Comment Count Tags: film reviews
May, 1st 2009

X-Men Origins: Wolverine

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Lately, it seems that every comic book movie down the pike can be subtitled: Or How Our Hero Got His Angst On. At this point, they should really rename the whole genre bummer books.
So, as X-Men Origins: Wolverine begins, we watch as the child version of our mutant hero kills the father he didn’t know he had (if that won’t get you a little angsty, I don’t know what will), and then goes on the lam with the glowering mutant brother he didn’t know he had. Running through the woods, they morph into their adults selves: Strapping, pumped up Hugh Jackman as Wolverine and snarly, feral Liev Schreiber as Sabretooth. We then watch scenes of the brothers fighting side by side in the Civil War, then WWII, Vietnam, and finally Iraq. Eventually, they are recruited by a smarmy government agent (Danny Huston), who wants to use them as the powerful weapons they are. Sabretooth loves all the sanctioned killing, but Wolverine doesn’t want to embrace the animal within and instead moves to peace-loving Canada, where he gets work as a lumberjack and shacks up with...

11:41 am Comment Count Tags: film reviews
April, 30th 2009

Ghosts of Girlfriends Past

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Reimagining A Christmas Carol as a rom-com about a caddish lothario (Matthew McConaughey) who, after visitations from the ghosts of girlfriends past, present, and future, sees the error of his womanizing ways and commits to his one true love (Jennifer Garner), may’ve seemed like an ingenious concept. After all, Dickens’ classic has seen countless incarnations—as a comedy, as a musical—but as far as I know, this is its first stint as a chick flick.
But there's an inherent flaw in the concept (and execution) of Ghosts of Girlfriends Past and it reveals itself pretty quickly.
You see, by the end of A Christmas Carol, nasty ol' Ebenezer does become something of a cuddly grandfather figure to the Cratchits and Tiny Tim, but he’s not—you know—boyfriend material. And while McConaughey is certainly convincing as the sleazy, self-adoring, unrepentent lady’s man, he may be a little too convincing. We hope for much better for Garner’s witty and with-it Jenny.
Of course...

2:12 pm Comment Count Tags: film reviews
April, 27th 2009

The Sacks of Our Tears

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Feeling a little blue that the Ravens weren’t the sexiest story of draft weekend? No obscenely over-priced contracts, no glad-handing quarterbacks, no—okay, this one hurts a bit—stud wide receivers? Instead, we selected an offensive tackle. A very, very good offensive tackle, mind you, but an offensive tackle nonetheless. Well, guess what Ravens fans? We win! Because I ask you this: Is there a major motion picture coming out about Matthew Stafford or Mark Sanchez or Michael Crabtree? No there is not. But there is one about Michael Oher, our first round pick. It’s called The Blind Side and it even stars Sandra Bullock. Here’s what it says in the press release: “The Blind Side” depicts the remarkable true story of Michael Oher, a homeless African-American youngster from a broken home, taken in by a well-to-do white family who help him fulfill his potential. At the same time, Oher’s presence in the Touhys’ lives leads them to some insightful self-discoveries of their own." Bullock will play Mrs. Touhy. Tim McGraw will play Mr. Touhy. And newcomer Quinton...

3:18 pm Comment Count Tags: Sports
April, 15th 2009

State of Play

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As State of Play began, I had an unexpected surge of wistfulness. After all, this film is about an intrepid newspaper reporter (Russell Crowe) investigating the suspicious death of a pretty young Capitol Hill staffer. But in this world of blogs and Twitter, aren’t movies where the hero is a reporter about to go the way of the dodo bird?
Happily, State of Play rather ingeniously sidesteps this reality by making sure that Crowe’s Cal McAffrey is constantly being reminded that he’s an endangered species. He’s forced to work with a rising star young blogger (Rachel McAdams), his tough publisher (Helen Mirren) is bemoaning a gimmicky corporate-fueled redesign, and he has to fend off accusations of irrelevance from his subjects.
“When it’s real news, it breaks through the gossip,” Cal insists (or something to that effect)—and I was surprised my colleagues at the screening didn’t give him a standing ovation.
Of course, State of Play isn’t really about the state of newspapers today, but it’s a nice little addition to...

3:50 pm Comment Count Tags: film reviews
April, 15th 2009

17 Again

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In a way, Zac Efron is the perfect actor to play a 37-year-old man magically transplanted back into his 17-year-old body. He is a heartthrob to be sure, but he’s not at all hip. You can imagine him driving a minivan. When his character gives a passionate speech about abstinence or stares with paternal pride at his son (who has no idea it’s his dad), it feels believable. This is partly good acting on Efron’s part and partly because, in interviews, on red carpet, in life, Efron has a square earnestness about him. He’s as nice and sensible a boy as the Disney starmaking machine could hope to manufacture. (Efron has graduated, by the way. 17 Again is released by Warner Bros.)
17 Again proves that the body-swapping genre still has legs. Big, of course, remains the class of the field—butFreaky Friday (both versions), 13 Going on 30, and Peggy Sue Got Married were all entertaining diversions, and so is this.
As the film starts, it’s 1989 and 17-year-old Mike O’Donnell (Efron) has just given...

3:47 pm Comment Count Tags: film reviews
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