December, 1st 2009

Kudos for Hamilton

Hamilton, by Baltimore's own Matthew Porterfield, made this The New Yorker scribe's honorable mention list for the best films of the decade. Wow.

1:07 pm Comment Count Tags: general film
November, 19th 2009

The Twilight Saga: New Moon

01nm-059df-06382rmd.jpg

New Moon really is like porn for tweens. It has two dreamy boys—one athletic and smiley; the other brooding and poetic—both deeply, madly, eternally in love with the same girl. It features lots of moony stares and desperate embraces—and the fact that the athletic boy is a werewolf and the brooding guy is a vampire only adds to the total emo-ness of it all.

But I have to give the filmmakers credit. Much like Twilight before it, New Moon is respectfully pandering, if such a thing is possible. It gives the audience, almost all of whom have read (and in some cases memorized) Stephanie Meyer's books, exactly what it wants. So Edward the vampire (Robert Pattinson) lurks in shadows and wears overcoats and perfects his tortured pout. And Jacob the werewolf (newly buff Taylor Lautner) runs through the woods and climbs deftly into bedroom windows—often without his shirt. Meanwhile, Bella (Kristen Stewart) pines beautifully—mostly for Edward but maybe a little bit for young Jacob, too.

In this...

5:03 pm Comment Count Tags: film reviews
November, 19th 2009

Precious: Based on the Novel Push by Sapphire

preciousposter2.jpg

Perhaps the most remarkable thing about Precious is that it isn't the most depressing film of the year.

It tells the story of 16-year-old Clareece "Precious" Jones (Gabourey Sidibe), who lives with her defiantly unemployed mother Mary (Mo'Nique) in a Harlem apartment. As the film begins, Precious is fat, painfully shy, functionally illiterate, and pregnant for the second time by the hand of her abusive father. Her first child, born with Down's Syndrome, is being raised by Precious's grandmother-Precious never sees the child save for a few staged house visits with the social worker (so Mary can collect the welfare check.) Instead of taking her daughter out of this hellhole, Mary sits in front of the TV all day, accuses Precious of "stealing her man" (mind you, she's been repeatedly raped by her own father), and orders her daughter around, hurling projectiles at Precious when she isn't immediately compliant.

What keeps Precious sane throughout all of this is her daydreams. When things are at their absolute worst, she dreams of being a model...

1:17 pm Comment Count Tags: film reviews
November, 19th 2009

The Blind Side

blind-side.jpg

I experienced a bit of cognitive dissonance when they showed the real Michael Oher at the end of The Blind Side.

No, not because the young actor Quinton Aaron doesn't look much like the Ravens rookie offensive tackle—although he doesn't. But because the real Michael Oher walked with his head up—he had an athlete's gait, a quiet confidence. He wasn't the halting, shoe-gazing, nearly mute man-child depicted in the film.

No wonder it's rumored that Oher is not a fan of the film. It turned him into Forrest Gump.

And that, in a nutshell, is my problem with the film. There were pretty much two ways to do Oher's fascinating real-life story—as a teen, he was rescued from the streets of Memphis (his real mom was a junkie and his father was out of the picture) and ultimately adopted by a wealthy white family. You can dig deep, show the larger social and personal ramifications of this act of kindness, and the inevitable conflicts that arose. Or you can do a neatly scrubbed, sit-com ready, Disneyfied version of the events.

Guess which one this film...

1:00 pm Comment Count Tags: film reviews
November, 18th 2009

An Education

an_education_nick_hornby-1.jpg

I think the thing I like most about Jenny (Carey Mulligan), the restless heroine of An Education, is how representative she is of a certain type of brainy teenager. Jenny, who lives in suburban London with her parents (Alfred Molina and Cara Seymour), thinks she's worldly and sophisticated (she peppers her conversation with pretentious bits of French). She thinks her parents are oh-so-bourgeois (indeed, they sort of are). She thinks that her life hasn't really started yet-but maybe it will when she finally goes to Oxford.

She is, in a way, the perfect mark for David (Peter Sarsgaard), a conspicuously charming, much older (and Jewish!) man who slowly ingratiates himself into her life. How can she resist his sleek sports car, his glamorous friends (Rosamund Pike and Dominic Cooper), his jet-setting ways? Soon enough, she's going to museums and concerts with him, taking trips to Paris, and falling into his bed.

So where, you might ask, are her parents during all of this? They are equally flattered by David'...

1:43 pm Comment Count Tags: film reviews
November, 16th 2009

Three Kings

waters-et-al.jpg

Assistant managing editor Amy Mulvihill attended the Maryland Film Festival's "Three Movie Visionaries" talk with Barry Levinson, John Waters, and David Simon at MICA. Here is her report:

It was like the G-8 (G-3?) summit of Baltimore filmmaking at MICA on Saturday night when the heavy-hitting triumvirate of Barry Levinson (Avalon, Diner, Liberty Heights, Tin Men), John Waters (Pink Flamingos, Female Trouble, Cry Baby, Hairspray, Pecker), and David Simon (The Corner, Homicide, The Wire) convened for a wide-ranging discussion of their careers. The freewheeling, highly-entertaining talk was moderated by celebrated film critic Elvis Mitchell and framed by VIP dinner and dessert receptions.

Ostensibly, the occasion was a fundraiser for the Maryland Film Festival, which goes down each May, but it seemed just as much like a good excuse for the three colleagues to sit around and talk about...

8:14 pm Comment Count Tags: general film
November, 12th 2009

2012

pk-01.JPG

2012 is like a 1970s disaster film on steroids. Instead of a towering inferno or a sinking cruiseliner, we have the whole planet Earth getting destroyed. Because that, ladies and gentleman, is how Roland Emmerich rolls.

2012 is a lot like Emmerich’s other apocalyptically-inclined gems—Independence Day and The Day After Tomorrow—except the special effects are better and the film may even be more treacly.

Yes, buried amid the rubble (and the tsunamis and the giant earthquakes that cause whole cities to split in two—neat!) is a message about caring for your fellow man. Kumbaya, brother—and watch out for that flying Eiffel Tower.

2012 has everything you would expect from this sort of big budget, high-minded schlock. Some humor (much provided by Woody Harrelson as a conspiracy nutcase who just may be right this time), some serious-sounding scientific jargon (brought to you with appropriate “run the numbers again!” dismay by Chewetel Ejiofor), some familial bonding (still-lovable John...

4:09 pm Comment Count Tags: film reviews
November, 4th 2009

Disney's A Christmas Carol

christmas-carol2.jpg

Robert Zemeckis’ 3-D animated Disney's A Christmas Carol is clearly a labor of love and, like so many labors of love, it feels slightly ill-advised.
Yes, the motion-capture animation is gorgeous—saturated, detailed, almost hyper real. But Zemeckis seems strangely intent on showing us just how real it can be.

In one of the opening scenes, an undertaker’s apprentice is shown with a bulbous pimple on his chin. Later, the ghost of Marley spits some sort of otherworldly sputum at Scrooge. The Ghost of Christmas Present is a half-malevolent, half-jolly red head with a big beard and—ew!—a hairy red chest (he looks, disconcertingly, like the Burger King).

No one can argue with the depiction of Scrooge himself: Sunken-chested, hook-nosed, hunched, and thoroughly miserable, he seems, at first, to be a man completely devoid of spirit. But during the course of his night visitations, this character comes to life—he’s infused with dread, then sadness, then empathy, until he actually experiences a rush of unadulterated joy. The...

5:01 pm Comment Count Tags: film reviews
November, 4th 2009

The Men Who Stare at Goats

clooney-staring-at-goats.jpg

When I saw the trailer for The Men Who Stare at Goats, I got pretty excited. A military satire based on a true(ish) story about a secret branch of the army that tried to develop human super powers, staring Jeff Bridges as its baked commander and George Clooney as a wild-eyed true believer? Count me in.

But here’s the problem: The trailer is better than the film. The trailer lays out the storyline and shows some of the film’s best jokes—men trying to rush through walls and drive while blindfolded; George Clooney giving a death stare to a goat; Kevin Spacey expressing his regrets about a couple’s divorce at their wedding—but the movie itself is glib and unfocused. Sad to say, it works better edited down to four minutes.

Ewan McGregor plays Bob Wilton, a recently divorced reporter looking to prove to his ex-wife just how macho he is. He goes to Kuwait where he meets Clooney’s Lyn Cassady who tells him about the First Earth Battalion, a classified military program started in the ’70s that practiced mind control...

4:51 pm Comment Count Tags: film reviews
October, 23rd 2009

Amelia

amela.jpg

After seeing Amelia, you can only assume one of two things: That Amelia Earhart herself was an insipid, uninspiring woman or that filmmaker Mira Nair just blew it.

I think we can all draw the same conclusion.

How did this film go so far afoul? You have a talented director (I loved Nair’s The Namesake), a perfectly cast Hilary Swank as Earhart, and the kind of subject matter that seems destined to land on critic’s Top 10 lists.

But Nair made the classic mistake. She was so concerned with mimesis—yes, Swank looks like Earhart, the aviator-chic clothing is spiffy, and the planes look sufficiently rickety—that she didn’t bother with story. You can’t just present us with the details of Earhart’s life. You have to show us what drove her, what gave her lift off.

Instead, Earhart is depicted as an earnest, cheery lady who simply wants to fly. She wants to be free, she says over and over again. She wants to soar like a bird, roam like the buffalo. Oh, how I wish I was making this up.

“It was a night of stars. Of tropical loveliness,”...

2:11 pm Comment Count Tags: film reviews
12 issues for $18!