April, 1st 2010

Clash of the Titans

 

So here’s a dirty little secret about Clash of the Titans in 3D.

It was actually made in plain ol’ 2D. But after the success of a little movie I like to call Avatar, they used some sort of magic post-production wizardry to turn it 3D. The end result? It’s now officially hard to say what’s worse—the movie itself or the lame 3D graphics.

This is a remake, of course, of the camp classic starring Harry Hamlin—and, despite years of digital advancement, there’s still no way to show gods lording over earth on top of clouds and not have it look cheesy. Poor Ralph Fiennes, fresh from playing Voldemort, looks miserable as Hades, but Liam Neeson, all armor and godly glow, seems to actually be taking this Zeus thing seriously. “Release the Kraken!” he says majestically. Hey, it’s a living.

Sam Worthington plays demi-god Perseus, son of Zeus. (By the way, who says this guy gets to be a major movie star? He’s handsome enough, but, in this film in particular, he seems to be missing the charisma chip.) After his...

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March, 30th 2010

The Last Song

I wasn’t available to review The Last Song, so I sent my (imaginary) cousin, 12-year-old Amber Morgan Weiss, to review it:

OMG, you guys! Miley Cyrus is in this movie—or should I  say, Hannah Montana? lol—but she’s not playing a Hannah-Montana type character. She plays Ronnie, this totally angry girl from New York who is visiting her dad in Georgia for the summer. You can totally tell that she’s angry because she wears black combat boots and got arrested for shoplifting once. Plus, she’s, like, so unfairly mean to  her dad (Greg Kinnear), because she blames him for leaving her mom (Kelly Preston). But he just wants her to play classical piano like she used to (when she was less angry!!).

I think I need to clear something up here: Ronnie may seem mean, but she’s not!!! First of all, she totally saves these sea turtles from being eaten by raccoons—so she loves animals and stuff. Plus, she’s actually nice to her kid brother (Bobby Coleman), who always says the funniest, cutest things. It’s almost like he has a script writer, lol.

Ronnie meets this super-mega-turbo hottie named Will (Liam Hemsworth) who never has his shirt on—not that I’m complaining, lol. First, she hates him, for no...

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March, 25th 2010

Hot Tub Time Machine

Hot Tub Time Machine was probably green-lit because of the enormous success of The Hangover. It’s another raucous, R-rated comedy that chronicles the escalating misadventures of a group of male friends. However, if you’re expectingHangover-level guffaws (or Hangover-level creativity), you’re bound to be disappointed. Still, the movie’s good for a few laughs.

Adam (John Cusack, playfully riffing on his own career) has just been dumped by his girlfriend. He’s an insurance salesman, which actually makes him the most successful of his high school buddies: There’s Nick (Craig Robinson), who had dreams of making it as a musician but now works at a pet care store and just found out his wife his cheating on him. And there’s the even more pitiful Lou (Rob Corddry), who has no aspirations, no money, no relationships, and just attempted suicide.

To pull Lou out of his malaise, the guys decide to revisit their favorite vacation spot of their youth: The Kodiak Valley Ski Lodge. Along for the ride is Adam’s nephew Jacob (Clark Duke...

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March, 24th 2010

Greenberg

 

You probably know someone like Greenberg, a guy who had a band in the '80s that was this close to making it, and who never really amounted to much, but whose self-loathing is only matched by his general feeling of superiority to almost everyone he meets.

What you might not expect is that they’d make a movie about that guy, and then actually have the audacity to make him the (anti)-hero. But that’s just what master of misery Noah Baumbach (The Squid and the Whale) does.

Roger Greenberg (Ben Stiller) has just been released from a mental hospital after a nervous breakdown and he’s spending some time in L.A. house/petsitting for his brother, a successful businessman. Greenberg is now a carpenter, he works out of a co-operative studio in New York. “It’s very political,” he mutters at one point. (In that single line, we sort of get all we need to know about Greenberg’s life as a carpenter in New York—that he rationalizes his own lack of success by asserting that the system is political. He probably figures that the other carpenters don’t like him...

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March, 18th 2010

Diary of a Wimpy Kid

 

A few less booger jokes and Diary of a Wimpy Kid, based on the popular series of children’s books, could almost be a minor classic.

Greg Heffley (Zachary Gordon) is starting his first day of 6th grade. He wants to be popular, but he doesn’t quite know how to go about it. His longtime best pal Rowley (Robert Capron) has no such aspirations. He’s just happy to do his thing.

“Want to come over to my house to play?” says the sunny Rowley.

“It’s not play,” hisses Greg. “It’s hang out.”

Later, while hiding under the bleachers from a particularly brutal gym game called Gladiators, Greg and Rowley meet school outcast Angie Steadman (the Jodie Foster-esque Chloe Moretz). She snarks on everyone, works for the school paper, wears funky clothes. Rowley thinks she’s awesome. Greg thinks she’s social suicide.

I laughed a lot during this film, especially in a scene where Rowley and his mom gleefully get down to the Beastie Boy’s “Intergalactic” at a school dance and another one that showed the awkward growth spurts the 6th graders...

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March, 4th 2010

Alice in Wonderland

 

Can the pairing of a director and actor to a film be almost too perfect? Because Tim Burton is clearly the perfect man to direct a 3-D live-action version of Alice in Wonderland. And Johnny Depp, his partner in all things both innocent and grotesque, is the perfect man to play the Mad Hatter. So why was I left feeling so strangely ambivalent about the whole affair?

It certainly can’t be the visuals, which are as dazzling as you’d expect from Burton: Depp’s fright-wig-red hair and intricately painted white eye lashes pop from under his giant velvet hat; the Red Queen’s bulbous head, with its cupie-doll lips, is perched with comic perilousness on her tiny body; the White Queen (Anne Hathaway) is shimmeringly white except for a shock of garish red lipstick.

And it can’t be the performances, which feature voicework by the entire adult cast of Harry Potter (okay, it only seems that way); plus likable newcomer Mia Wasikowska as a more mature Alice (she’s 19 in the film); a miraculously restrained Crispin Glover as the Knave of...

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March, 4th 2010

The Ghost Writer

 

Tony Blair should look on the bright side. At least he’s being portrayed by Pierce Brosnan. Yes, he’s also being portrayed as an adulterous war criminal who’s a pawn of the United States—but that hair!

 

In fairness, Brosnan is not playing Tony Blair. He’s playing former British Prime Minister Adam Lang, whose similarities to Blair are strictly intentional. Ewan McGregor plays The Ghost, a man famous for ghostwriting zippy autobiographies. When the aid who was helping Lang pen his memoirs dies in a mysterious drowning, the Ghost is brought in to finish the job.

In Lang’s inner sanctum—the ex-Prime Minister is holed up in a coastal property somewhere near Massachusetts—the Ghost meets Lang’s sullen wife (Olivia Williams) and his fiercely loyal (maybe too loyal) personal assistant Amelia (Kim Cattrall). He also happens to arrive exactly at the time when the news of Lang’s alleged war crimes (handing over terror suspects to the CIA for torture) are exposed.

And the Ghost might be in danger. Almost immediately...

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February, 26th 2010

The Crazies

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A zombie film by any other name—say, The Crazies—is still a zombie film. And a pretty nifty one, at that, with an ample amount of scares and gross-outs and sly humor. But a zombie film all the same.

The film starts with a wink: a desolate, apocalyptic street scene of empty streets, burning cars, and blown out businesses. Then—cue the cheery music—we're practically in Mayberry. The words "Two Days Earlier" flash across the screen.

Sheriff David Dutton (Timothy Olyphant) is watching a high school baseball game when the town drunk, Rudy, stumbles onto the field with a rifle. Rudy has a glazed look in his eyes and David—cool and studly under pressure—can't get him to lay down his gun. Bye-bye, Rudy.

Eventually more townsfolk start acting strange and doing unfortunate things like bleeding from their eyeballs. (I don't want to tell you what one upstanding dad does to his wife and son, but it will make you think twice about hiding in a closet while being chased by a zomb. .  . I mean, a crazy.)

David begins to suspect there's a connection...

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February, 25th 2010

Cop Out

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It's actually a stretch to call Kevin Smith a filmmaker. He's a funny guy with a camera. His films always are always good for a few laughs, but they are uniformly sloppy, undisciplined, and amateurish. (He peaked with Clerks, where being sloppy, undisciplined, and amateurish actually worked in his favor.)

I thought perhaps that directing a script he didn't write (in this case, screenwriting credit goes to brothers Robb and Mark Cullen) and working with a big budget star like Bruce Willis might put a little professional sheen on his work. I was wrong.

So with Cop Out we have, essentially, a Kevin Smith film. It is both profane and sentimental. It has nothing resembling a cohesive plot. It has nothing resembling a structure. And, of course, it made me laugh a lot more than several other films that boast both plot and structure.

Smith is harking back to the old cop buddy film genre—48 Hrs., Lethal Weapon, et al—and using Bruce Willis in his taciturn tough guy mode. (No need to use the...

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February, 18th 2010

Shutter Island

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I love it when a brilliant director decides to make a good old fashioned genre film: Such is the case with Shutter Island, a twitchy, twisty, psychological horror film, directed with obvious glee by Martin Scorsese with nods to Alfred Hitchcock and the best traditions of film noir and pulp fiction.

In 1952, U.S. Marshal Teddy Daniels (Leonardio DiCaprio) and his new partner Chuck (Mark Ruffalo) have been sent by ferry to the Shutter Island asylum for the criminally insane to investigate the escape of a prisoner.

Once they arrive, the "no exit" aspect of this island comes into high relief. And the island becomes its own ominous character—craggy rocks and cliffs, swaying trees, foreboding stone buildings. The patients, likewise, are hunched, toothless, menacing—exactly what the genre calls for.

A film like this is all about paranoia. "You'll never get off this island," one person after the next whispers to Teddy in conspiratorial tones. Does the hospital have secrets? Are they really conducting dangerous experiments on the patients for...

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