February, 4th 2010

Fantasy Orchestra Camp

max-weiss_credit-tracey-brown1.jpg Bit off topic from my usual beat of movies and pop culture, but I wanted to share an amazing experience I had on Tuesday night. I had my debut with the Baltimore Symphony Orchestra. Well, at least that's the way I chose to word it to family and friends. In fact, I had been asked to participate in a unique program the BSO had cooked up to celebrate their 5th season at Strathmore Music Center—Rusty Musicians. The premise was simple: There are a lot of people who love music, studied music, maybe even went to conservatory, but who aren't professional musicians. Those people would relish the opportunity to get on stage at the Strathmore, be conducted by Maestra Marin Alsop herself, and perform with the world-class musicians of the BSO. Yes, it was like Fantasy Baseball Camp, only better—in Fantasy Baseball Camp, if I have my facts straight, you play with fellow amateurs as well as some retired players and coaches. With Rusty Musicians, you're on stage with the Big Leaguers, essentially backing up Brian Roberts at second base. As you might imagine,...

1:10 pm Comment Count Tags: Music
February, 2nd 2010

Oscar thoughts, predictions

Here's my early take on the Oscar nominations.

Best Picture

Avatar
The Blind Side
District 9
An Education
The Hurt Locker
Inglourious Basterds
Precious: Based on the Novel Push by Sapphire
A Serious Man
Up
Up in the Air

Who was robbed: I would've loved to have seen the haunting and emotionally lucid The Messenger among the nominees. Also, 500 Days of Summer or The Hangover would've been a kick.

Whose nomination was a stretch: I shudder at these five words: The Blind Side, Oscar nominee.

Who should win: Precious: Based on the Novel Push by Sapphire.

Who will win: The Hurt Locker, which would be just fine by me (it was my second favorite film of the year).

Actor in a Leading Role

Jeff Bridges in Crazy Heart
George Clooney in Up in the Air
Colin Firth in A Single Man
Morgan Freeman in Invictus
Jeremy Renner in The Hurt Locker

Who was robbed: Ben Foster, for his raw and resonant work...

4:00 pm Comment Count Tags: general film
January, 27th 2010

Edge of Darkness

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Edge of Darkness is actually better than its lame title would suggest.

It's yet another vigilante film, this time focusing on Boston detective Thomas Craven (Mel Gibson), who has a still, mournful quality—and this is before his only daughter (Bojana Novakovic) is gunned down in front of him.

At first, Craven and the rest of the Boston PD, think he was the intended target, but as Craven investigates his daughter's murder, he finds himself neck-deep in a tangly conspiracy. Turns out, the nuclear power company his daughter was interning for was doing more than just developing alternate sources of energy for the government. And it turns out, trying to blow the whistle on them was not conducive to staying alive.

This is Mel's comeback film, after his controversial arrest three summers ago, and he's made a solid, if unambitious, choice. His Detective Craven is a stock figure—the loner with a righteous mission to defend his family—but Mel infuses him with a believable air of desperation and gravitas. The film gives him ample...

3:54 pm Comment Count Tags: film reviews
January, 21st 2010

Extraordinary Measures

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At the very least, I expected to cry. I mean, a movie based on a true story about a father struggling to get a drug on the market to save his two dying children? Two hankies, minimum.

But Extraordinary Measures, while certainly well-intentioned, is so ill-conceived, it doesn't even work on the most basic of levels. It's a tear jerker that is incapable of jerking tears.

One of the film's central problems is that it can't quite decide what to be: A treacly melodrama about the effects of catastrophic illness on a family or a behind-the-scenes look at the world of drug trials and pharmaceutical companies. That second premise would actually be kind of interesting, in the hands of a talented director of procedurals like Steven Soderbergh or Michael Clayton's Tony Gilroy. But Scottish director Tom Vaughan is clearly out of his league.

It doesn't help that his film stars Harrison Ford, comically miscast as Dr. Robert Stonehill, the renegade researcher who has created the drug (we know he's a renegade because he blares classic rock,...

2:00 pm Comment Count Tags: film reviews
January, 15th 2010

The Lovely Bones

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Heaven is hard. No, I'm not making a religious point about the difficulty of living a life worthy of a heavenly ascent. I'll leave that to the theologians. I'm talking about the depiction of heaven in film. Some have gone with a simple clouds-and-halos approach. Others, like the misbegotten What Dreams May Come, have gone for a vast technicolor dreamscape. Either way, it's a risk. And maybe that's why so many people said that The Lovely Bones was unfilmable.

Alice Sebold's novel is narrated from above by 14-year-old Susie Salmon (played in the film by Saoirse Ronan), who matter-of-factly tells us the story of her own murder and its effect on her family, especially her father, who obsessively pursues the killer.

Director Peter Jackson captures the wistful quality of the novel-the innocence of early '70s (a time before "milk carton photos and public service announcements"); the heady rush of first love (Susie is besotted by the poetry-spouting new boy in school); the happy clutter of a well-adjusted family—and it makes the intrusion of...

3:08 pm Comment Count Tags: film reviews
January, 12th 2010

Not a Perfect 10

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The irony of the Oscars deciding to go with 10 Best Picture nominations this year instead of the traditional 5 is that it's totally unnecessary.

The move is being done to boost ratings, which were famously anemic last year (this despite an energetic turn by song-and-dance hunk Hugh Jackman).

Most people blamed the poor ratings on the fact that neither The Dark Knight nor WALL•E were nominated for Best Picture.

(The general consensus is that people watch the show when they have a horse in the race—hence the high ratings the years Titanic and The Lord of the Rings were big winners.)

But here's why it's unnecessary: Avatar, fast becoming the biggest blockbuster of all time, was going to get nominated no matter what—indeed, at this early stage in the game, I'd say it's the frontrunner to win the whole shebang. If the Best Picture nominations were restricted to just 5, my guess is they would've been this:

Inglourious Basterds

Avatar

Up in the Air

Up...

6:39 pm Comment Count Tags: general film
January, 7th 2010

Leap Year

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Okay kids, ready to take the Leap Year quiz? Let's see if you, too, could have written the script for this painfully predictable romantic comedy.

1. Amy Adams plays our heroine Anna. She's . . .

a. A control freak and closet romantic who has lost sight of the important things in life.

b. A real estate stager by day and dominatrix by night.

c. Secretly a man.

2. Adam Scott plays her boyfriend Jeremy. He's. . .

a. A self-absorbed surgeon without a romantic bone in his body.

b. A surgeon by day, ninja assasin by night.

c. Secretly a woman.

3. When Jeremy goes to Ireland for a medical conference, Anna decides to fly to Dublin to propose to him. What happens?

a. A near-hurricane diverts her plane and she ends up stranded in a quaint Irish village.

b. She arrives safely and proposes to Jeremy.

c. Upon arriving in Dublin, she immediately becomes obsessed with the works of James Joyce and forgets that Jeremy even exists.

...

5:10 pm Comment Count Tags: film reviews
January, 7th 2010

Youth in Revolt

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The idea of the glum Michael Cera—once described as a teen Bob Newhart—being in any way suave or swashbuckling is a fairly ripe source of comedy. Youth in Revolt takes that idea and runs with it. And just before the concept overstays its welcome, the film ends.

Cera plays Nick Twisp, basically the same character he always plays—a sensitive, miserable, too-smart-for-his-own-good nice boy pining away for a girl. In this case, the girl, Sheeni (Portia Doubleday), has a thing for French New Wave films and French singers, so he creates an alter ego named Francois to woo her. Francois has an oh-so-French mustache and wears tight pants and smokes cigarettes. He also seems to have no regard for public property or polite society. At one point, after the Francois half of his persona tells Sheeni all the different dirty ways he'd like to ravage her, Nick steps in and shyly says, "If that's okay with you."

That's one of the things that's novel about Youth in Revolt: It's pretty frank about sex. (It's kind of like American Pie...

5:05 pm Comment Count Tags: film reviews
December, 29th 2009

Sherlock Holmes

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I am totally loving Robert Downey Jr. v.2.0.

Downey Jr. has always been an extravagantly talented actor—but he was undisciplined, partly due to his well-documented personal problems and partly due to the fact that he was, well, young. But this seasoned Downey Jr. is in full command of  his gifts—and what's more, he's sexier than ever. (Did I just write that out loud?). Casting Downey Jr. as Sherlock Holmes? Yes, please!

So for its brilliant casting alone, I have to praise Guy Ritchie's Sherlock Holmes, even if I agree with those who feel that Ritchie strayed way too far from Arthur Conan Doyle's vision of the character (a Holmes who's kicking butt and taking names? gimme a break.) But the script—doctored by no less than five writers—at least gives Downey Jr. a chance to shine. He makes snappy one-liners, is sharply observant, and amusingly misanthropic—just like the real Holmes.

And like all great actors, Downey Jr. seems to raise the game of those around him. Jude Law, as an exasperated but loyal Watson, hasn't been this appealing in...

12:09 pm Comment Count Tags: film reviews
December, 22nd 2009

Max's Top 10 Films of 2009

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1. Precious When I think back to 2009, this will be the film I remember—and the miraculous way Lee Daniels managed to coax humor, and even joy, from the story of obese, illiterate, abused Precious (remarkable Gabby Sibide).

2. The Hurt Locker Kathryn Bigelow's Gulf war film, about a soldier (Jeremy Renner) who defuses roadside bombs, works as both a you-are-there action flick and an examination of the awful paradox of war: that once it gets into your blood, it becomes almost impossible to leave behind.

3. Inglourious Basterds A Jewish WWII revenge pic that plays like Tarantino's video store education thrown into a blender. There are elements of Spaghetti Westerns, German art pictures, blaxploitation films, kung fu flicks, and studio melodramas. The result? The single most audacious (and entertaining) film of the year.

4. Up in the Air Might very well win the Oscar, not just because it's shrewd and sexy and funny, but because it seemed to so accurately sum up our decade—the scourge of air...

11:46 am Comment Count Tags: film reviews