October, 23rd 2008

Pride and Glory

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Rating: 2.5 stars

Have we simply run out of good cop stories to tell? Since Serpico, it seems that every other cop movie is some iteration of the same theme—corrupt cops,  compromised values, and torn loyalties. Sometimes, we throw in gangsters (The Departed; American Gangster). Sometimes we give it a twisted buddy angle (Training Day; Blue Steel). And sometimes, we show how all this corruption affects a cop family (We Own the Night; The Big Easy.)
Pride and Glory falls into the latter category—it’s about a big, Irish family of cops, mostly good cops who are nonetheless willing to turn a blind eye to some small-level corruption.
Ray (Edward Norton, in a credible slow burn) is the most conflicted of the bunch. He was forced to lie on the witness stand about a cop killing (that also left him physically scarred) and the experience made him so depressed and guilt-racked, he pulled himself off the streets. Now there’s been a drug bust gone wrong—four cops are dead and Ray’s police captain father (Jon Voight) has...

2:28 pm Comment Count Tags: film reviews
October, 16th 2008

W.

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Rating: 2.5 stars

The trailers and poster art for Oliver Stone’s W. make it seem like a scathing work of satire but in reality, it’s a fairly standard biopic, with a healthy dose of Freudian speculation about the relationship between the elder Bush and his wayward son. Sure, there are some funny moments—a guy like Dubya would have to yield a few chuckles—but it’s mostly benign and dare I say . . . sympathetic? (This from the guy who gave us Natural Born Killers and JFK?)
Of course, the film is already controversial—and unprecedented. While there have been many presidential biopics—Stone has done one of his own (1995’s Nixon)—this is the first time one has been filmed while the president was still in office. In that sense, W. works best as a novelty film—and Stone seems to know it.
Why else, then, would he start the film with a “name that cabinet member” tableaux, as George W. Bush (Josh Brolin) and his advisers sit around the Oval Office coming up with the phrase Axis of Evil? You spend the first few minutes trying to figure out who’s...

4:07 pm Comment Count Tags: film reviews
October, 16th 2008

What Just Happened?

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Rating: 2 stars

What Just Happened? is the kind of film that presupposes we want to hang out with a stressed out Hollywood producer who’s having a few very bad days.
Films like this can work—when they’re hilariously funny or rife with fresh insights—but What Just Happened? is only mildly funny and, if you’ve ever seen The Player, State and Main, or watched a single episode of Entourage, its insights are few and far between.
Still, it’s nice to see Robert DeNiro playing a real character, not a parody of himself. He’s Ben, the Hollywood producer (he’s about to be featured in Vanity Fair’s 25 Most Powerful in Hollywood issue) who’s been feeling rather powerless lately.
For starters, he’s got two ex wives—he’s even in couple’s therapy with the second (Robin Wright Penn), although it’s not to get back together, it’s to make the breakup more palatable (now that’s a good joke).
Meanwhile, his Sean-Penn-headlined action thriller just tanked at a screening because the whiny, drug-addled, would...

4:01 pm Comment Count Tags: film reviews
October, 16th 2008

Sex Drive

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Rating: 2 stars

Turns out the ’80s teen sex comedies Losin’ It, The Last American Virgin, and The Sure Thing were cinematic classics. How else to explain why Sex Drive so shamelessly cribs from them? Oh, well. It’s not like today’s teenagers will know the difference.
Those of us over 30 can do this in our sleep: Ian (Josh Zuckerman), our sensitive, virginal, donut-shop employee hero wants to drive across the country to hook up with a “sure thing” he met on the web, and is joined by his horndog pal Lance (Clark Duke) and his tomboy best friend Felicia (Amanda Crew) who is—altogether now—secretly perfect for him.
Still, Sex Drive does have some distinguishing features—although not all good.
First the pluses: James Marsden is positively inspired as Ian’s amped up motorhead brother—a guy so rabidly homophobic he simply has to be gay himself.
Then there’s Seth Green, the film’s most unique and hilarious creation, a passive-aggressive Amish man the gang meets on the road who helps them with their engine trouble—and...

3:58 pm Comment Count Tags: film reviews
October, 3rd 2008

Blindness

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Rating: 2 stars

Have you heard the news? People stink. They are self-serving, cowardly, cruel, and just a crisis away from abandoning all civility. Or so the producers of Blindness would have you think.

Okay, even if you buy into that premise—and I don’t—I still ask you, what’s the point in making this film? Certainly Sartre did the “hell is other people” well enough, right? Lord of the Flies showed how quickly we can lose our grip on moral decency. At the risk of sounding cynical, perhaps it’s because it gives undeniable great actors—like Julianne Moore, Mark Ruffalo—and a talented director (Fernando Mereilles) the chance to really roll around in the muck and show us how gritty they are.

As the story begins, a handsome Asian yuppie (Yuseke Isaya) is driving his Mercedes down a crowded street when he suddenly stops at a green light. He can’t see anything. He’s gone blind. A seemingly good samaritan takes him home, and then steals his car. (This is our first sign of the rather low view of mankind the film holds.)

The blind man’...

4:31 pm Comment Count Tags: film reviews
October, 3rd 2008

Religulous

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Rating: 3.5 stars

Several weeks ago, Bill Maher had his favorite sparring partner, conservative political pundit Andrew Sullivan, on his HBO show, Real Time With Bill Maher. Sullivan was exasperated with what he perceived to be Maher’s complete intolerance of religion. It’s true, when Maher, an avowed agnostic, discusses religious people, he tends to be both derisive and dismissive. Not an ideal guy, then, to do a probing and comedic documentary on faith and religious devotion, right?
Actually, he’s just the guy. For starters, Maher is drawn to the very subjects our society deems taboo—and there’s no subject more tiptoed around than religion. Also, he’s smart as a whip and naturally inquisitive. As he goes around in his documentary, interviewing various evangelicals and Passion Play participants and Muslim clerics, he wants to simply  see what they see. A born skeptic, he keeps challenging people’s assumptions, their leaps of logic, the very foundations of their faith. To his credit, he never comes across as rude, just intellectually curious (and a bit befuddled).

...

3:40 pm Comment Count Tags: film reviews
October, 2nd 2008

Beverly Hills Chihuahua

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Rating: 3 stars

They can make a convincing haunted pirate ship, but Disney still hasn’t quite mastered the talking dog. Maybe I’m asking too much. After all, dogs can’t really talk. So trying to have their little doggy lips curl around actual human words is bound to look fake. I just wanted it to look a little less fake, you know?

That being said, Beverly Hills Chihuahua has good bones. It’s actually an ingenious concept—frou-frou lapdog Chloe (the voice of Drew Barrymore) goes on an adventure in the real world and learns to be, well, a dog.

As our story begins, Chloe is doted on by her well-meaning, if slightly clueless owner, fashion designer Vivienne (Jamie Lee Curtis)—and it’s an endless banquet of mani-pedis, poolside puppy playdates, and doggie haute couture. Chloe has an admirer, in true DH Lawrence tradition, a swarthy landscaping Chihuahua named Papi (loveable George Lopez).
When Vivienne goes on a last-minute business trip, she leaves Chloe with her flaky niece Rachel (Piper Perabo), who takes the dog on an ill-advised trip to Mexico...

12:27 pm Comment Count Tags: film reviews
October, 2nd 2008

Flash of Genius

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Rating: 2.5 stars

Flash of Genius is probably better than any movie about the guy who invented intermittent windshield wipers deserves to be. That’s not to say it’s a great film—it’s far too earnest to be truly entertaining (it’s very excited about patent law)—but it does have a certain shaggy charm.

Greg Kinnear plays Bob Kearns, an engineer who notices the inadequacy of his car’s wipers on a rainy day and becomes obsessed with improving them. Kearns pitches his idea to the Ford Motor Company. At first they don’t believe he’s done it (their own team of crack inventors has come up empty), then they buy his invention. Then they promptly steal it.

Of course, it’s easy to share Kearns’ zeal for taking on the greedy corporation and exposing them as the thieves they are. But when Kearns’ obsession with justice becomes all consuming—he ends up in a mental facility—it’s hard to get behind him, especially when Ford is offering him a megabucks settlement that he piously refuses.

In a way, Greg Kinnear, who has an ability to disappear into the role he’s playing, is the...

12:25 pm Comment Count Tags: film reviews
October, 2nd 2008

Nick and Nora's Infinite Playlist

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Rating: 3 stars

Michael Cera, the wonderfully strange and droll teen star from Arrested Development, Superbad, and Juno, always plays the same character. This, I suppose, would be a problem if the character weren’t so hilarious and loveable—a wry (and invariably love sick) middle aged man trapped in the body of a gangly teenage boy. Cera’s charaters are often would-be hipsters, but his use of teen vernacular always sounds stiff and studied. He’s a bit of a doormat, too, which angers him, but his decency is so self-evident, it’s hard to take his anger seriously—you just want to pinch his cheeks. Indeed, Cera is such a sensitive guy, he’s exactly the type to make painstakingly-decorated, shmoopy mixed CDs for his lady love.

That last bit describes Nick, the character that Cera is playing in Nick and Nora’s Infinite Playlist. He is in love with the coquettish Tris (Alexis Dziena), but she has just dumped him— “on my b-day,” he sighs sadly. Unbenownst to Nick, Tris doesn’t even listen to his sonic creations, but tosses them in the high school trash where...

12:22 pm Comment Count Tags: film reviews
September, 26th 2008

Eagle Eye

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Rating: 2 stars

Eagle Eye acts under the assumption that if a film gooses us with enough explosions and car chases, we won’t notice how proposterous it is.
It assumes wrong.
Here’s the premise: The same day that our n’er do well hero Jerry (Shia LeBeouf) buries his seemingly perfect twin brother, he comes home to find that his apartment is filled with military grade weapons and explosive devices. A calm female voice calls him on his cell phone: “The FBI is about to arrive. You have 45 seconds to vacate the premises.” The FBI arrests him, assumes he’s a terrorist, and the omniscient voice—who seems to have control over every computer-operated device in Washington— somehow helps him escape.
From there, the voice leads him to a car driven by distraught mother Rachel (Michelle Monaghen), who has been instructed by that same voice that her 10-year-old son will die if she doesn’t obey her commands.  So these two strangers are thrust together, following commands that seem to turn them into enemies of the state.
Cool enough, right? And I give credit where credit is due—...

3:13 pm Comment Count Tags: film reviews
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