April, 1st 2011

Insidious

 

Unless you’re talking about a visionary horror genius like, say, Guillermo Del Toro, I generally think it’s better to imply but not show the BBST (big bad scary thing). Frankly, our imagination of the horror is generally much more terrifying than whatever the director and CGI wizards can come up with. In fact, more often than not, the demon/ghost/witch/alien is kind of a joke.

Which brings us to Insidious. The first half of the film, about a beautiful young family that moves into a house that seems to be haunted (the whole thing is a rather explicit homage to Poltergeist, which I endorse), is filled with the genuine dread of the half-seen and hinted at.

The second half, where the family hires a medium and tackles the BBST head on, shows us the evil creatures that are afoot in a big way. And while I  have to admit that the evil freak show does provide some nice chills, it replaces the slow burn of dread with something overcooked  and cheesy.

Still, no one can accuse director James Wan of holding back....

12:29 pm Comment Count Tags: film reviews
March, 15th 2011

Catching Up With . . . Ex B-mag Intern Michael Cuomo

 

About 12 years ago, Michael Cuomo was a bright-eyed young intern here at Baltimore magazine. After graduating from Loyola University, he moved to New York to study journalism at NYU. Somehow, he got bitten by the acting bug. So he dropped out of school and started taking acting classes with famed acting coach Joseph Chaikin.

Off-Broadway work and commercials—like the current one for an AT&T netbook where he’s trying to explain the nature of his device to TSA workers (“It’s a computer AND a phone”)—followed.

Now he’s at the SXSW Film Festival with his newest film, Happy New Year, where he plays a badly wounded (emotionally and physically) Marine staff sergeant being treated in the PTSD ward of a small VA hospital.

I caught up with Mike over the phone. Here’s a little taste of our conversation.

 

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2:53 pm Comment Count Tags: general film
March, 4th 2011

The Adjustment Bureau

 

When I saw The Adjustment Bureau trailer, with its smartly dressed men in fedoras going through portals and freezing time, I turned to my companion and said, “If you liked Inception. . .”

For sure, Universal Pictures wants us to think that The Adjustment Bureau is Inception-esque, but if anything, it’s actually more Capra-esque. It’s a story about a little guy going up against powerful cosmic forces to be with his one true love, and it’s downright quaint by today’s sci-fi standards (not totally surprising since it’s based on a Philip K. Dick story that was written in 1954).

Matt Damon plays David Norris, a maverick politician from Brooklyn who’s considered to be a rising star. But when a photo of him mooning some old college buddies is leaked to the press, his senatorial run is derailed. In the bathroom, just before he goes on stage to make his concession speech, he meets a free-spirited young woman named Elise (Emily Blunt) and they share a connection and a kiss. He fears he will never see her again, but several months later, he’s on a bus and there...

4:58 pm Comment Count Tags: film reviews
February, 28th 2011

Who Am I? Why Am I Here? Thoughts on the 83rd Academy Awards

 

The Google box is abuzz today with the following question:

Was James Franco really trying to do a good job last night? Or was he ironically commenting on the experience, even as he was having it? (The same question, by the way, could’ve been asked of his weird stint on General Hospital).

If he saw himself as some sort of Keyser Soze-style imposter—“The greatest trick James Franco ever pulled was convincing the world to let him host the Oscars”—shouldn’t he have been, well, funnier? Or at least, more clear in his intentions?

And if he was some sort of rebel party crasher (because that had to be it, right?), wasn’t that a bit disingenuous? After all,  127 Hrs. was nominated for best picture and he, for best actor. His director, Danny Boyle, won for Slumdog Millionaire two years ago. His Milk co-star Sean Penn won best actor that year,...

5:09 pm Comment Count Tags: general film
February, 18th 2011

Unknown

 

With his hulking frame and leonine face, I guess it was inevitable that Liam Neeson would morph into a bona fide action star. Maybe the better question was, “What took him so long?” (He’s almost 60.)

In the last two years alone, Neeson has starred in Taken, Clash of the Titans (it was he who uttered the immortal phrase: “Release the Kraken!”), and The A-Team. And now he’s in the Bourne-like Unknown,  aka Taken 2: This Time Nobody Knows What the Hell’s Going On.

I prefer the sensitive, gentle giant Neeson of  Schindler’s List, Husbands and Wives, and Kinsey. But I won’t go so far as to agree with the critic who compared Neeson’s career trajectory to Nicolas Cage’s. Frankly, Neeson was never that good—and his latest movies aren’t nearly that bad.

In fact, on its own terms, Unknown—about a biochemist (Neeson) who travels to Berlin with his wife (January Jones), konks his head in a car accident, and awakens to find out that his identity has been...

3:27 pm Comment Count Tags: film reviews
February, 11th 2011

Just Go With It

Is anyone else as baffled by the career of Adam Sandler as I am? At times, he can be sensitive, self-effacing, even chivalrous. Other times, he can be mean-spirited, arrogant, and misogynistic. (Not to mention strangely violent.)

I’ve loved him in films like Funny People and Reign Over Me, and both his rom-coms with Drew Barrymore (50 First Dates and The Wedding Singer.) But I’ve hated—hated—his work in Grown-Ups, I Now Pronounce You Chuck and Larry, The Waterboy, and The Longest Yard.

Both sides of the Sandler persona are in full effect in the wildly uneven Just Go With It.

He plays Danny, a plastic surgeon who wears a wedding ring to bars so he can tell sob stories about an abusive, uncaring spouse and have sympathy sex, with no strings attached. But when he falls for the beautiful, way-too-young-for-him Palmer (Brooklyn Decker), he needs to explain the ring away, so he tells her that he was married, but he’s about to get divorced. 

...

5:47 pm Comment Count Tags: film reviews
February, 10th 2011

Justin Bieber: Never Say Never

 

In a way, Justin Bieber: Never Say Never is the best use of 3D technology that I’ve seen all year. If you are a tween girl, what’s the only thing better than Bieber? All together now: Bieber in 3D. And the movie takes full advantage of that fact, having our pint-sized heartthrob pump his fist at the audience, practically shimmy onto our laps, and, in one inspired moment, just stand there, in all his 3D glory, flipping his shiny, shiny hair.

Despite its silly, James Bond-esque title, Never Say Never is actually pretty good: part concert film/part Behind-the-Music-style biopic. In many ways, Bieber was our first true YouTube-era superstar. The film cleverly starts by showing him among other YouTube memes: There’s sneezing panda, there’s scared kitty cat, and there’s a pubescent cutie-patootie singing Chris Brown songs in his bedroom. OMG, indeed.

Turns out that while the talented, clean cut Bieber seems to have been created in a teen idol lab, he was, in fact, raised in Ontario by his single mother and doting grandparents. He received a toy drum when he was 5 or 6...

5:51 pm Comment Count Tags: film reviews
January, 27th 2011

The Mechanic

 

The Mechanic has got to be one of the most macho films I’ve ever seen.

How macho is it?

It’s so macho, it makes Rambo seem like Steel Magnolias.

It’s so macho, it’s just like the Charles Bronson original—only macho-er.

It’s so macho, one of the characters carries a Chihuahua on a pink leash—and it’s still macho.

Okay, you get the point.

Jason Statham, a popular B-movie action star I simply don’t get (he’s like Bruce Willis with 5 percent more facial hair and 80 percent less charm) plays Arthur Bishop, a stealth hitman, aka, a mechanic. The shady guy he works for (Tony Goldwyn, professional shady-guy-portrayer) manages to convince Arthur that his mentor Harry (Donald Sutherland) betrayed the company. So Arthur kills Harry. But he feels bad about it. At least I think he does. Statham maybe blinks a little harder than usual after he does it.

...

4:40 pm Comment Count Tags: film reviews
January, 21st 2011

No Strings Attached

 

The margins of Ivan Reitman’s scrappy new romantic comedy—yes, the Ivan Reitman of Ghostbusters fame—are populated with a bunch of underground film darlings: There’s Greta Gerwig, queen of the mumblecore movement (and star of last year’s excellent Greenberg), there’s Olivia Thirlby from Juno, there’s Jake Johnson from Paper Heart.

And it occurred to me that if, instead of Natalie Portman and Ashton Kutcher, the leads of this film were, say, Anton Yelchin and Kat Dennings, this whole project might have seemed like some charming, if indulgently overlong indie project.

The script, by Elizabeth Meriweather, has a hip, winking, smart-girl vibe to it. I giggled for example, when our hero Adam (Kutcher) made a “period mix” for his would-be girlfriend Emma (Portman) that included “Sunday Bloody Sunday,” “Bleeding Love,” and “I’ve Got the World on a String.” And I laughed even harder when Emma’s best friend and fellow medical intern Patrice (Greta Gerwig), also on her period, moaned, “It’s like a crime scene in my pants!” (Okay, not exactly highbrow...

11:56 am Comment Count Tags: film reviews
December, 30th 2010

The King's Speech

 

The fact that the Duke of York (Colin Firth) suffered from a debilitating stutter may not have been such a big deal were it not for two unrelated events: One, the invention of radio, which meant that England’s monarchs didn’t just have to wave from balconies and look good atop a horse, they actually had to speak to their subjects. And two, the generally vain, self-centered, and altogether irresponsible behavior of his older brother, Prince Edward (Guy Pearce), who, after the king’s death, abdicated the throne to marry the scandalous Baltimore divorcee Wallis Simpson, leaving his kid brother in charge.

The King’s Speech is about the eventual King George VI finding his voice, both figuratively and literally, aided by his patient, loyal, and dignified wife Elizabeth (marvelous Helena Bonham Carter) and an irreverent speech therapist, a failed actor from Australia, named Lionel Logue (Geoffrey Rush).

It was Elizabeth who first sought out the commoner Logue (the state-sanctioned doctors had left her husband both frustrated and irritable), traveling by herself to his downtown...

4:26 pm Comment Count Tags: film reviews