Jess Blumberg's picture
September, 1st 2010

An evening at Captain James

I think it's always important, no matter how well you think you know a city, to revisit some of its long-standing gems. Some co-workers and I did just that yesterday when we headed over to Captain James Crabhouse, across the street from the ship-shaped Captain James Landing.

The crabhouse has long been a staple for tourists and locals alike to sample some hardshells aside a great water view. And, over this past winter, Captain James overwent some sleek renovations. The indoor crabhouse now has a new bar (with HD flat screens), refurbished heat and air-conditioning, and new bathrooms. Outside, there is a newly built deck and roof over the brown-papered picnic tables. Though it's been creeping into the high-90s this week, the deck felt great as the ceiling fans and water breeze kept us cool.

We ordered a dozen extra larges—currently $69—which were heavy and smothered in Old Bay seasoning. We also got a couple buckets of beer, which are usually around $20 for six brews. (Please note: prices flucuate due to market). Island music played over the speakers as we picked away at our hardshells. To top it off, Captain James serves authentic Boardwalk Fries to complete the beach-like experience. The crabhouse's weekly specials include $2 off beer buckets on Tuesdays and $10 off a dozen on Wednesdays.

So, next time you want to relax after a hard day or take some out-of-towners to dinner, don't forget about old stand-bys like Captain James.

[Image: courtesy of Captain James Crabhouse & Restaurant]

3:37 pm Comment Count Tags: beer, restaurants
Jess Blumberg's picture
August, 13th 2010

Gameday Warehouse

I attended the Ravens' first pre-season game last night against the Carolina Panthers and, despite the gross weather, it was clear that football excitement was in the air (among the 70,000 in attendance). Because of the rain, I didn't get to do much tailgating, but I wanted to let you guys know about Gameday Warehouse—a new bar on Warner Street just 200 yards away from M&T Bank Stadium.

Gameday Warehouse, sponsored by 105.7 The Fan and Charm City Hospitality, seems like the best of both worlds. It combines the tailgating aspect (it's directly across from Lot J) with a bar experience. Gameday Warehouse can hold around 750-800 people and has 20 TVs. The place serves typical football fare (hamburgers, hot dogs, sausages) and has multiple bars throughout. Drinks are a little steep ($4 domestics, $7 mixed drinks), but not nearly as bad as the outrageous prices inside the stadium.

"Basically, there's not much around the stadium," says Robert Phillips, senior vice president of operations for CBS Radio in Baltimore. "Most people head to Federal Hill for the bar scene. We wanted to improve the game-day experience and make it fun for all the fans. So many people come down without tickets and we wanted to create a fun atmosphere for them, too."

The concept of Gameday Warehouse seems like such a no-brainer, it's a wonder that no one thought of it sooner. Phillips explained that they've always been focused on improving the parking-lot tailgates (particularly Lot O). I'm excited to check out the new addition to Ravens pandamonium—hopefully in dryer weather next time.

[Image: courtesy of CBS Radio]

2:29 pm Comment Count Tags: bars, sports
Jess Blumberg's picture
August, 12th 2010

Black Eyed Peas after-party

On Tuesday night, one of our editorial interns, Liz McAvoy, was charged with the tough task of attending the Black Eyed Peas concert at 1st Mariner Arena and the band's after-party at Mist in Power Plant. Here are her thoughts about the concert and the ensuing after-party (where band-members hung out till 2 a.m.):

From strobe lights and backup dancers dressed as speakers to confetti machines spewing to the beat of “I Gotta Feeling,” the Black Eyed Peas pulled out all the stops at 1st Mariner Arena Tuesday night.

Will.i.am. led the crowd in singing "Happy Birthday" to sound engineer Dave Hayes, who graduated from Loyola University and who's been with the band since it got its start fifteen years ago. The Black Eyed Peas have garnered a massive following of fans young and old since then, and everyone was having the time of their lives.

After the show, we headed to the exclusive Bacardi after-party at Mist in Power Plant. We were escorted to the media VIP area where attendees could sit on couches splayed throughout the room. At the open bar, we sampled the official drink of the E.N.D. tour, a (strong) Bacardi and cola, and grabbed a seat amid vibrant lights and multiple screens projecting images of the Black Eyed Peas. As we sipped our drinks, we noticed men buying excessive rounds of drinks—funny how the phrase, "next one's on me" kind of loses its value when the drinks are free.

We headed to the dance floor and found that band members Taboo, will.i.am., apl.de.ap, and even T-Pain—who opened for the Peas—had hit the after-party and were DJing the scene amid fans and fishnet-clad Bacardi girls. Bumping speakers played the whole run of Black Eyed Peas hits and a variety of other hip-hop and pop jams. During the show, will.i.am. also DJed a variety of classic hits such as "Don't Stop Believin'" and "Thriller," so there were also a number of crowd-pleasing singalongs mixed in.

The uber-VIP area where band members and their acquaintances were hanging out featured a massage area and exclusive iced bottles of Bacardi at the tables. There were also the usual droves of fans (mostly ladies) backed up against the VIP barrier hoping the bouncer would give them just that one minute to sneak in to grab a photo or share a drink with the band. The raucous crowd partied until past 2 a.m. despite Fergie’s noted absence from the excitement. My star-struck plus-one, Lucy, even managed to snag a hug from will.i.am. She figures they’re best friends now.

[Image: courtesy of Liz McAvoy]

Jess Blumberg's picture
August, 3rd 2010

Max's Rare and Obscure Beer Fest

Usually, when you step into Max's Taphouse—with its 102 rotating draughts and 1,000 bottles in stock—you're bound to try something different. And that will certainly be the case starting next Thursday, August 12, and running through Sunday, August 15, when Max's holds its Rare and Obscure Beer Festival, which will feature dozens of unique brews, some making their first-time debuts in the U.S.

Thursday will feature cask beers, and then throughout the weekend Max's will have 45 rare and obscure brews on tap, including Brew Dog Mikkeller Divine Rebel 2010, Hof Den Dormaal Blonde, Jolly Pumpkin Barn Biere, Mikkeller It’s Alive, Allagash Bourbon Black, Stillwater Love & Regret, The Bruery Coton, Troubadour Magma, and Beer Here Dark Hops.

In a press release, Max's cellerman Casey Hard said he has searched the world to try and find the most out-of-the-ordinary brews. "Many brewers from afar had heard of my quest to provide beer lovers with the rare and obscure and have provided us with these beers," he says. "It is an honor to have them at Max's.”

[Image: courtesy of hellobaltimore.com]

 

11:10 am Comment Count Tags: beer, festivals
Jess Blumberg's picture
July, 29th 2010

Opening of Johnny Rad's

Johnny Rad'sLast night I attended the soft opening of Johnny Rad's, a new bar and pizzeria in the former Kelly's location on Eastern Avenue. For a soft opening, the place was doing great business. Something tells me theirgrand opening (on Friday, August 13) will be even more successful.

From the outset, it's obvious that the owners of Johnny Rad's are big Black Flag fans—the bar's sign uses the band's logo. Once you walk in, the edgy vibe continues, as the place is decked out with show fliers and skateboarding memorabilia (posters and boards line the wall, skate videos are on the TV, and skateboarding wheels act as doorknobs).

It's also quite apparent that the owners put a lot of work into the place, making the once shabby Kelly's a much more polished space. The long bar is a shiny, vibrant red. There's mod-style furniture in the back. There's even an arcade game and a jukebox that plays 7" records (and can also, apparently, be connected to an iPod). Also the staff plans to maintain the karaoke nights that Kelly's was known for.

Last night the staff was a little bit overwhelmed, but still remained extremely friendly and laid back. Our waiter kindly informed us that they had $3 drafts during happy hour. The draft selection was impressive: Oliver's Blonde Ale, Victory Prima Pils, Flying Dog In-Heat Wheat, Guinness, and others. They also had a nice selection of canned beer, including Natty Boh, Dale's Pale Ale, Goslings Ginger Beer, and Negro Modelo. Considering the heat, I also tried their version of an orange crush, made with grapefruit vodka and, it seemed like, a splash of pineapple juice. Delicious!

The menu was just as thoughtful, with bar munchies like hush puppies, a foot-long corn dog, edamame, and pitas with hummus. Of course, there's also the pizza, which comes in 11" or 15" sizes and features fresh ingredients, as well as vegetarian and vegan-friendly options. We also had a fresh salad with phenomenal horseradish dressing.

For a space that's come about quickly (the owners just took over in April), Johnny Rad's is quite put-together already. With its alt-style and thoughtful food and drink menu, Johnny Rad's is on pace to become the Joe Squared of Southeast Baltimore. Can't wait to see how it evolves.

[Image: Kimi Aghevli]

 

10:52 am Comment Count Tags: bars, restaurants
Jess Blumberg's picture
July, 15th 2010

Get to know...Damn Right!

This year’s Artscape, starting Friday and running through Sunday, is sure to be another great event filled with local artisans and crafters selling their labors of love, as well as some big-name musicians taking the stage. This year’s festival features artists like Gov’t MuleCold War Kids,Jackie Greene, and Wale.

But, a lot of times, the beauty is in the lesser-known local acts. Damn Right! is an electronica three-piece with members hailing from Baltimore (keyboardist Blake Mobley), Annapolis (drummer Tommy Bradel), and Philadelphia (bassist Johnny Fissinger). The band’s been on the scene for the past three years and I got a chance to chat with Fissinger about what it will be like to play the main stage at this year’s Artscape.

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Can you describe the sound of Damn Right! to our readers?
We started out as an improv band. I actually met Tommy on stage at our first show and I went to college with Blake at St. Mary’s. We just started playing songs on the spot. That got a little bit boring, and I’m a producer so I would send out email tracks that I produced. We would load them onto a drum machine and sample stuff and play on top of stuff live. We’re refining this live electronic production performance, so you get kind of a studio performance with more live elements.

It seems like you guys kind of blew up in the past year or so. How does a band today do a lot of its marketing?
I think we mainly rely on our keyboardist, Blake, who’s worked for various production companies in Baltimore, likeWalther Productions. He’s booked a lot of gigs and then the rest is really word-of-mouth. We have a lot of musician friends and they offer us a lot of high-profile gigs. It’s been kind of an organic process, we don’t market ourselves—we don’t have an album out yet. It’s more about playing gigs that are highly publicized through different promoters. This is the first time I’ve ever been able to have that with a band.

You guys must be psyched be playing the main stage at Artscape.
We’re really happy to be a part of the biggest free arts and culture festival in the country. The fact that we’re playing just a few hours before Gov’t Mule is crazy. I saw them when I was a teenager in high school. And I’ve been following the Cold War Kids for years. Shook from Baltimore is, I think, a great young band coming up. Other than that, I’m just excited to be hanging out and listening to new bands out there.

Do you take a different approach to your set list when you’re playing on a big stage?
Our approach is mainly to create a set that’s a little more crowd-friendly at first. We’ll probably start a little more accessible, just bass, piano, and drums. And then we’ll work our way into more progressive stuff using synthesizers and sampling. We’re used to playing hour-long sets, which we like because we can put our best stuff out there.

How do you like the Baltimore arts scene compared to your hometown of Philadelphia?
I think the scene in Baltimore is really communal. There’s the whole Wham City production with Dan Deacon and they have a really tight group. I think the fans really support the artists in Baltimore. And they’re willing to go see a band on Tuesday night. In Philly and New York, it’s tougher to get people to come out. Baltimore seems to have people who really like music and really let loose after a hard day’s work. We always want to thank all of our fans who have supported us in the Baltimore area. I consider it to be my second home because of Damn Right! I love everyone in Baltimore.

What’s next for the band?
That is an interesting question because Blake, our piano player, is moving to Denver in September. So we might be moving to Denver. Tommy and I are definitely going to be working on some sort of project in my studio in Philadelphia. We’re going to come out with some kind of release—whether it’s under Damn Right! or not—hopefully by the end of the year.

Check out Damn Right! at Artscape on the Wachovia Stage at 3:30 p.m. on Saturday.

[Image (left to right) Johnny, Blake, Tommy: courtesy of Damn Right!]

Jess Blumberg's picture
July, 2nd 2010

Free cabs!

taxisThere's no way to argue with this: This weekend (like past holiday weekends) the mayor, State Highway Administration, AAA, and Yellow Cab Co. are providing free taxi rides, up to $50, for those 21 and older who choose to drink this holiday weekend. The service—aptly called Tipsy? Taxi!—is available from 10 p.m. to 4 a.m. tonight, Saturday, and Sunday. Just call 1-877-963-TAXI.

The service has proved successful in the past, though there are usually significant waits for a cab ride (especially towards the later hours). The best bet is to call early and be patient. So whether you're going to anoutdoor festival, a local show, or taking in the beautiful fireworks, you'll be able to do it safely (and cheaply!) this holiday weekend.

[Image: robertmcclintock.com]

Jess Blumberg's picture
June, 24th 2010

City scavenger hunt

Luckie's ChallengeOn July 3, Luckie's Tavern (in Power Plant) will be hosting a city-wide scavenger hunt called the Baltimore Challenge. Baltimore is one of 10 cities participating in these scavenger hunts, put on by Challenge Nation. The one-day urban race starts at 3 p.m., but you can show up to Luckie's as early as 1 p.m. to pick up your pre-race packet (with clues, race-number bib, and t-shirt).

Teams of two or more individuals run around the city and try to determine the next destination by solving puzzles and deducing clues. There are a total of 12 clues in the Amazing Race-style challenge that all lead to the finish line, back at Luckie's. The first-place team is awarded with $200.

After the race, all participants are invited to an after party and awards ceremony at Luckie's, which will have food and drink specials and a chance to win additional prizes (like best costume). Proceeds from the race benefit CASA (Court Appointed Special Advocates) of Baltimore, a nonprofit agency that advocates for troubled children in the juvenile court system.

Perhaps the best part? Today, there is a Groupon available for the race—which normally costs $70 to participate—for a mere $25. (For those that don't know, Groupon is a website that offers a deal-a-day for everything, including local restaurants, bars, spas, golf courses, and, apparently, scavenger hunts. Sign up if you haven't already). Sounds like a fun way to explore the city and kick off Fourth of July weekend.

[Image from D.C.'s Challenge: courtesy of challengenation.com]

Amy Mulvihill's picture
June, 10th 2010

Mr. O'Brien Goes to Washington

Full disclosure: I am an unabashed Conan O'Brien fan. It's difficult to overstate how large he and his old Late Night show loomed during my adolescence. At the zenith of my fandom, I rarely missed an episode. I attending  tapings in New York, including the 5th Anniversary show. He had a country house near where I grew up in Connecticut. He was sometimes seen on weekends. My friends were under strict orders to call me IMMEDIATELY if they spotted him and tell me EVERYTHING. Once, my father, in a misguided attempt do something nice for me, wrote Conan a letter inviting him to our house for dinner. (Conan declined, but, class act that he is, replied to my dad saying he'd be happy to chat with me on the phone sometime. I, being absolutely mortified about the entire situation, never took him up on that offer.) Point is: Conan and I have a history—even though he is completely unaware of it—so it wasn't really a question of whether or not I was going to like his Legally Prohibited From Being Funny On Television Tour, it was merely a question of how much I was going to like it. And I liked it a lot, with one caveat: the audience was . . . weird.

The tour is part comedy show/part rock show/part witty therapy session, and it works surprisingly well, mostly due to the fact that Conan is a pretty convincing rock star. Yes, I'm serious. He's an able guitarist and singer and the beard goes a long way toward making him look like a suitably rugged and weary road dog, who has, you know, "seen a thing or two." He's not, of course. He's a nice Irish Catholic boy from Brookline, Massachusetts and he mined the discrepancy between his real and assumed identities in a version of Elvis Presley's "Pork Salad." For Elvis, the song described growing up dirt-poor in the rural South. For Conan, it described growing up upper-middle class in a Boston streetcar suburb with a lawyer mom and microbiologist dad.

Conan and his band (essentially the Max Weinberg 7 minus Max Weinberg but plus two backup singers), also breezed through chestnuts by Willie Nelson ("On the Road Again") and Gloria Gaynor/Cake ("I Will Survive"). Both these songs were reworked for comedic effect. For example, "On the Road Again" became "My Own Show Again." "I Will Survive" became about his breakup with NBC. My favorite moment was the end though, when Conan and the band encored with The Band's "The Weight," something he's been doing sporadically throughout the tour as a thank you to fans for their support during this year of professional upheaval. There were no clever lyric changes, no visual gags. It was just Conan, playing it straight, and doing a damn fine job of it.

Music comprised about half the show, the rest was filled with familiar faces (Andy! The Masturbating Bear!) and new gimmicks (The giant inflatable bat from Meatloaf's Bat out of Hell Tour was a stage prop. I can't really explain. You kinda had to be there). There was also a stand-up set by former Tonight Show writer Deon Cole and a taped segment with Triumph the Insult Comic Dog where the foul-mouthed puppet made fun of D.C. (Like shooting fish in a barrel, really.)

And this was my only complaint about the show. The D.C. crowd was weird. They seemed simultaneously listless and restless. People kept yelling things out, surely hoping to catch Conan's ear and eye and dazzle him with their witty rejoinder. Although one guy who yelled "F— Jay Leno" earned some hearty applause and laughter from the crowd and band, the yells were mostly distracting and obnoxious. And, apparently, Conan and crew noticed. Poor form, D.C.

Next time, Conan should come to Baltimore.

Jess Blumberg's picture
June, 7th 2010

Reliving high school at The Stoop

I have always wanted to go to one of The Stoopstorytelling shows and when I heard this month's theme was "high school," I couldn't resist. Debuting in February 2006, The Stoop is a series that features seven story-tellers, who each get seven minutes to tell a true, personal story that revolves around that night's specific theme.

Past speakers have included writers, actors, musicians, teachers, and everyone in between. In addition to the seven stories, there are musical performances, comedic skits, and the entire show is put on for a live audience, as well as broadcast onWYPR. The variety-show style is reminiscent of Garrison Keillor's A Prairie Home Companion.

This past weekend Center Stage hosted three Stoop shows on Thursday, Friday, and Saturday evening, all revolving around the theme that tempted me so much: high school. I attended Saturday night's show and was blown away by the talent and creativity that took place on stage. Featured musicians included the keyboard-heavy cover band Egg Babies Orchestra, the ukulele-strumming Victoria Vox, and spoken-word/hip-hop duo The 5th L. All three groups provided a captivating soundtrack throughout the night. The show itself was hosted by Aaron Henkin, co-producer of WYPR's "The Signal," as well as The Stoop's two co-creators, Jessica Henkin (Aaron's wife) and Laura Wexler.

The high school theme was played up in every aspect, from the wardrobe (heavily '80s) to the music (Pink Floyd's "Another Brick in the Wall" was a highlight). And of course, there were the stories. An English teacher from Friends School talked about polka dancing with a curmudgeonly physics teacher. A former Bryn Mawr School student discussed celebrating the first Earth Day.

A particularly hilarious tale came from a former high school football manager (read: water boy) who decided to stick a bee in his mouth during football practice. An experienced educator talked about his own high school experience of grieving while at boarding school. And a current performing artist talked about figuring out her identity in the school cafeteria. Three members of the audience were also picked at random to share their stories from high school—some scandalous, others profound.

Not only was the entire show entertaining as hell, but it made me, and I suspect the rest of the audience, realize that everybody has a story. And the ones about high school are particularly charming.

If you want to hear these stories for yourselves, the show will be broadcast on WYPR (88.1 FM) on June 11 and 18 at noon and 7 p.m. And you can always tune into Henkin's "Stories From the Stoop" Saturdays at 8 p.m. on WYPR. The next Stoop show will actually be free, as it's a part of Artscape, and will take place July 17, from 4-6 p.m., in MICA's Brown Center.

[Image: courtesy of stoopstorytelling.com]